On September 20, 2004, 22:00, "2046" held the world premiere in Shanghai.
As the first forever, there is applause, laughter and even screaming in the dark friendship hall, the entire screen is like the Carnival.
In the production class of the night, in addition to Wang Jiawei, he read the full picture of the film after 10 days ago, including Liang Chaowei, Wang Fei, Liu Jialing, Zhang Zhen and Dong Jie, and even the Zedong's behind-the-scenes personnel were the first time. Weekly to the image.
After the premiere, the reporter encountered the familiar Zedong employees in the field, and the other party was as excited to nearly missed. After all, in the common people, the 5 years of expectation finally has the result. Regardless of "2046" to meet the many needs of Wang Jiawei, after all, it has been completed, standing there, waiting for you to review.
"Fantastic Year", "2046": Both births back
Just like "Chongqing Forest" and "Fallen Angel", "Flower" and "2046" these two "back-to-back" stories originated in the 1997 Wang Jiawei, a original creation called "Beijing Xia". After the shooting of Beijing, "Beijing Xia" can only be transferred to Macau because the application is not allowed to shoot, and the characters in the play will be swallowed every day. Then Wang Jiawei enlarged from this detail, thus derived the whole plot of "Fantasy Year".
And "2046", it is like the "figure years" after emotional amplification, it expands all the puzzles of the former, as long as you can see enough, "A Fei Zheng Chuan", "Fantasia Year", "Chongqing Forest" will be staged Wang Jiawei himself also admitting "2046" is all the creations before you have.
So after the "2046" for five years, the film is released, and whether the movie is released, it means that the creator will also want to walk on the train like "Zhou Mu Yun".
Reporter: From 1997 to 2046, it is 50 years. One of us we have heard is that the trains in "2046", if you have forgotten the past, you will find the past in 2046.
Wang Jiawei: About 1997 to 2046 "50 years unchanged", we completely thrown the politics, I am most interesting is that the 2046 number doesn't mean. If two people fall in love, their promise "I will not change my heart" what is meaningful, I am in love with her, she said constant, this is unchanged. The so-called love is eternal, but is not eternal, what is eternal? We have doubts this. Some people say "forever 17 years old", but unless it is 17 years old, it will not be forever.
We assume that there is a place called 2046, everything is always constant. It's so assumed, but if you go to this constant place, will you be very bored, do you like this world? Later, we changed this story, there is a person not going, actually He wants to leave 2046 because he wants to change.
Reporter: "2046" is actually not only a number, if "2046" represents the past, what does "2047" mean?
Wang Jiawei: "2046" is an ideal for expectations and ideals, and "2047" represents reality.
Reporter: "Matssenger" Ri Zhou Mu Yun said to "Zhang Manyu" to take her away, and to "2046" he said in Gong Li and Faye Wong in real life in the 1960s, and then rejected. In the future, he said the same content in the face of Woody, Liu Jialing, and even unrelated bilists. Can we think that Zhou Mu Yun has fallen into a kind of emotions, and he is constantly repeating the people who want to take away always one?
Wang Jiawei: Yes. In fact, we don't think too complicated. If a person has passed a big thing, this thing gave him a big bag, he hopes to change. However, in the process of changing, he found that it is more painful, and it is unable to change, he can only accept it. Reporter: We once again saw very familiar "Wang Jiawei Language" in the "2046" future scene, such as double the camera speed slowed down, let Faye Wong, Zhang Zhen perform a slower speed, then regulate when flushing Back to normal speed, thus make film images more stylized. Can you tell me why I think of this technique that uses this usual action film?
Wang Jiawei: Well, because the film is not enough (laugh). In fact, each trick has their own reasons, sometimes being trapped in the scene, such as "Fallen Angel" female killer smoking, the stage is because the scene space is small, so we can only shoot.
"Mong Kok Carmen": No star, no star, no star
Reporter: "Mong Kok Carmen" In today, it seems that the only work in Wang Jiawei works is a complete narrative.
Wang Jiawei: "Heroes of Complete", we are trying to redefine the so-called "hero", we envisage two small mixing in teens, twenty years old, thirty-year-old story talents Later, Tan Jiaming took the "final victory" in actually the last part: the two mixeds have grown, a success that has failed. However, he didn't take any chance after the end of this, because the market needs "heroes" that, do not want to see such a "anti-hero".
When I have the opportunity to take the second story, I will take the second story. This is "Mong Kok Carmen".
Reporter: From "Mong Kok Carmen" (Liu Dehua, Zhang Manyu), your play is a star gather, use the star whether it is the requirements?
Wang Jiawei: No, I hope to see the star from the small watching movie. There is no star without a star. This is my habit. So whenever I start thinking about a movie, I will think about each of the plots according to the Liang Chaowei, Zhang Manyu.
There is no temporary actor in my movie, and they must be in place. Can't say that this is the main role, that is the secondary role, so the secondary role can be packed.
"A Fei Zheng Chuan": Not selling the beginning
Reporter: "A Fei Zheng Chuan" has used a lot of "Kas", but the box office effect and professional reputation is just inversely proportional.
Wang Jiawei: "Mong Kok Carmen" is very successful, so many people ask me what is next. I said that I have always wanted to take a story of a sixty-seventeen and speaking a few people grow together. The last background is placed in 1960, the next background is placed in 1966.
"A Fei Zheng Chuan" is right, but in that era, they saw such lineups, using such a big "kiss" (Liang Chaowei, Zhang Manyu, Liu Dehua, Zhang Xueyou, Liu Jialing) will basically think A river lake.
Reporter: "A Fei" The first end, Liang Chaowei has no chance to appear after wearing a suit.
Wang Jiawei: Yes, "A Fei Zheng Chuan" first business is unsuccessful, investors do not dare to shoot the second.
On the first day, I said that this movie is white, and everyone faints. At that time, there were a white movie is one of the three taboos. It is absolutely unable to do, as long as someone else says you are a sulf. (Reporter: Xu Ke died.) Xu Ke's "Butterfly" narration is very simple, speaking a few months, what this person is doing, "A Fei Zheng Chuan" big paragraph is a lot of speakers, ask "what is this".
Reporter: In 1995, 25 members of the Hong Kong Film Review Society were selected for the best Hong Kong film in history. But at the time because of the title of the box office poison, you returned to the screenwriter ("Ghosts"), in this case, how to find the fund to shoot "Evil West Poison" in 1993? Wang Jiawei: "A Fei Zheng Chuan" also makes me face pressure, Hong Kong is a banner of the box office, a movie that is such a big "Kase" does not sell money, they will feel that this director is very dangerous. I have to do other movies, investors feel that we give you a story, we ask you how to take it.
But I don't believe this, I don't believe that there is only one shooting of the movie.
There is also the most important thing is that the producer of that era is very lazy, what is better, we will pick up a collection, but the movie should not only have one type. Fortunately, we have been "Wang Jing Times", you can do movies yourself, as long as you have a story, actor. We start trying to do this, do your supervisors, find an actor, take a story to the producer, then do the movie you want to do.
"Eastern Evil": Faced Attack
Reporter: Just now, I mentioned Wang Jing twice, Wang Jing and Wang Jing, often represent the two poles of movies. Starting from "A Fei Zheng Chuan", many of you have quickly reflected in the movies of other directors in Hong Kong, with "The Days of Being Wild" ("A Fei Zheng Chuan") has "The Days of Being Dumping" "(" A Fei and Aqui "), even" Director Wang Jingwei "," Director Wang Jingwei ", is called" Dong Shu Shi Deer. " How do you see the dialogue in this work, or provocative?
Wang Jiawei: This kind of thing is normal. Movies are imitated or smiled is a means, they must have a reason inside. They need a favorite, which is also a means.
When I was "Evil West Poison", I was in the beginning, I was about Liu Zhenwei, I took "Dongxie West Toxic" "Real Gold Edition", he took "Dongxian West" funny version "Dong Chengxi". As a result, I was too slow. So bigkly arrived in November 1993 - I only took 1/10, I just took it first. Liu Zhenwei said how to become, the real gold did not come out, and the funny fell. I said that you will be funny first, then I raise genuine from funny, so I have never gone in this kind of thing.
"Chongqing Forest", "Fallen Angel": The fastest Wang Jiawei record
Reporter: We know that "Chongqing Forest" is the fastest record you filmed, and it is done between "Dongxie West Poison", only two months. In other words, Wang Jiawei can actually be very fast.
Wang Jiawei: At that time, we went to the street holding the machine to shoot, the most difficult thing is that the pressure does not allow the actor NG. Maybe this lens will get on the bus, and it is possible to return to sneak shooting for an hour. Fortunately, Lin Qingxia and Liang Chaowei are a very good actor. At that time, Wang Wi and Jinchengwu were newcomers. It should be very pressure to face this situation, but very luck is that they are very good, so this play is very smooth. quickly. "Chongqing Forest" lets the whole class suddenly go to another space, and it is also a challenge for them. Like Zhang Shuping, there will be no chance to get hair, moving clothes, on the scene, caught it. This is also a style, a means.
When you have done this kind of thing, you will have a lot of confidence in your own, you can shoot a very rule of movie, you can also take a very casual movie. In this process, you are sure yourself.
Reporter: Why do you have to use Chongqing Building as a photo background?
Wang Jiawei: Because I grew up in the district of Chongqing Building, I was very curious from the small building for me. It used to be a good apartment, there are many stars living there, Hong Kong's best nightclub is in its gauge. But later, it will become a tourist, the Indian rent, there are a lot of gambling, prostitute, my father told me that I am not allowed to go, so I have been very interested in this place. Before the "Chongqing Forest".
The first time I went in, the security guard took the stick to play Du Shuo, and Du Kefeng took the machine to block all the way, and later became we fight with the security guard. When the other party called alarm, we led to leave, and the police left to continue to shoot after 1 hour. So there was such a play at that time, we also found Lin Qingxia to play, she actually promised, really a very dedicated actor.
At that time, we also let Lin Qingxia run along Nathan Road and let dozens of Indians chase. Under normal circumstances, we should wear this show, but I said to her: "No, this body is not right." Because wearing a high heel shoes, it is very good. Their actors were really dedicated. At that, she also promised me, wearing a high heels running along Nathan Road. Reporter: There is a saying that "Fallen Angel" is actually the third story of "Chongqing Forest", because the previous level is already enough, so I took the second part and became a "fallen angel".
Wang Jiawei: Yes, this is a fact. Originally "Chongqing Forest" has three stories, but the second story is more fun, we have been photographing, the third story is "fallen angel". In fact, it is very simple, "Chongqing Forest" is daytime, "Fallen Angel" is night. "Spring Bright": distant heterogeneous
Reporter: "Chun Guangli" has envisioned a "Li Yaohui" suicide ending, and the woman who plays Guan Shuyi told "He Baorong" death, but later why do you give up this ending? Do you feel too pessimistic?
Wang Jiawei: For me? There must be a possibility of all movies. If this person has a cancer, he will die - I think the movie should have another possibility.
Reporter: From the "spring light," the audience will feel that the original Wang Jiawei went so far and also took this story.
Wang Jiawei: I just thought that the earth was circle. The back of Hong Kong is Argentina. I am very curious about that place, say: "Well, we must go to Argentina to take a movie." That one It is 1997. Many people are talking about us to take a movie commemorative return. I don't say it, because you are now talking about this matter, it is difficult to see the truth, you need 5 years, 10 years later.
We went to Buenos Aires, then a big city, I wanted two Hong Kong people to go, their language is unlocked, they will go to wash clothes, eat, and where to find opportunities. So the people in our choice are very angry, so a big city, why must you choose a very broken corner to shoot, but I just agree with that place. You have to go to Chinatown in the world, they all have something similar, we all have a habit, which has been affected by this habit. Creative
Reporter: What is the first purpose of moving movies?
Wang Jiawei: Movie is working for me, is the skill of my life, is my hobby. What is the biggest nightmare for me for me? It is a day to wake I found a very bad play (laugh)? I can make it out of my work. I can't say that I am satisfied, but I already know this time and this space, I have tried my best.
In the past, Gordall said a word very well. He said that "movie is the first dream is also the last dream". Every movie should be used as the first time, every time there is fresh feelings, there is a warm in it, and you still have to use it as your last dream, your last movie, then there is no chance after shooting .
Reporter: You are a script, but after doing the director, it does not look at the drama. It uses the "Flying Paper Book" to shoot, use the film as a manuscript, this is?
Wang Jiawei: I don't have a script, just don't give a complete script. Because Hong Kong was very popular at that time, I was so slow. If the script took it out, I didn't take the quarter of Wang Jing. You must not have a full script, you can only tell him the same day.
Furthermore, Hong Kong's training is that, everyone is shooting 5 movies at the same time, and you are useless to give him a script, they will not see it. Their way to work is about to know what is playing, you speak to him every day.
There are still some situations, when you start to make a movie in an independence, you have to look at the scene every day. Today, this scene is suddenly can't shoot. This actor can't come today, and the script will be changed.
In the end, I found that the script is only for investors, it will not help the movie. Some play, I will talk to the actor, more useful than I have given him a script.
