Enthusiasm
- Italy Par Soli
On November 1, 1975, the night between Halloween and Wanling Festival, the Italian writer, "Post-New Realism Age" movie director Par Soli is killed by a 17-year-old male in the suburbs of Rome. 53 years old. The sudden violent violent violent violent vibration of this destroyed man: When his bones, when his bones, he began to drive away his "evil spirits", and his friends, students and worshipers (including Sart, Beltoli and Roland. Bart) held a grand funeral, respecting him as "Sheng Pierier Paul".
The criticism of the death of the family is: "Death Imitation Art". The famous foreign figure is arrogant. He uses his brutal, rapid, horrible movies, literary works, with its eyesight. Boarding the chaos and the legendary life story to subvert the mainstream ideology and "official statement". It has a symbolic that he has killed a plot of his artwork, a natural and inevitable ending .
Par Solini is a huge contradiction of confusion; his father is a FXS officer, and the mother is a sensitive rural woman in Soroni; he is a famous artist. MKSist, but Italy gcd is expelled by gay in 1949; he is the sacred and Lord, but he gave up the Catholic belief and his life and the church public confrontation; he is self-living in the proletariat In the late 1960s, the police stationed in the police while opposed the student revolution; he criticized TV creating a happiness, but he publicly deliberately showed porn in the film "Theorem" and "Tianfang Night Tan"; his film " "Soft cheese" brought him for four months of imprisonment because of profanation; and two years later, he won the Catholic Film Award with "Matthew"; this is called "cultural bin, with deep aesthetic cultivation" The poet against brutal violence, the novelist filmed the film "Saro" (Saro "(Saro" (Supoma 120 days) based on porn writer, notorious Sad Marquis, showing dirty, bloody, unbearable on the screen The entry-based scene (this Par Solini is banned in all countries); until the day before the end of life, he is still screaming for the equal status of gay people, but he stubbornly FXSism behavior ...
Par Solini was born on March 5, 1922, Born in Bonia, Italy. He has finished secondary school and university in his hometown. After the war, he was in the northern region of the poor in the future, and he was in the middle school and published a poem in the middle school. At that time, the poem was written in a dialect, and it has not been widely recognized, which is called a pioneering. In 1947, he joined GCD and started reading the work of Granxi GCD spirit leader in Italy. In 1949, he was charged "morally corruption", he was revised, and he went to Rome with his mother. In the early 1950s, he was teached in the Slum School of the Roma Bang District. So he witnessed a living angle of life forgotten by the society: there is a liar, thief, robbers, prostitutes, prostitutes, have been humiliated and damaged, have dirty, down, betrayal ... he Recording the literature and film works of these social historical marginal characters, but he claims that: "The real cruel from things itself is the essence of life," In this whole, he wrote "young people in life." "," Excited Life ", etc. reflects the novels of Roman poor life, at the time, the new novel writer who is eye-catching. And because his novel pays more attention, it is particularly popular, many director invites him to write a script. He has written the script for Mario Sudit, Fernini, Bologini and others. Among them, the two of Ferni's name "Karibilia Night" and "sweet life" are written with Ferrieti. At that time, the young Beltoro was very respectful to Par Soli, and the seniors of Yuri Yi friends wrote a "Death" script.
In the end of the 1950s, he published two works ranked most of the greatest contemporary writer: the poem "Grani" and the novel "violent life", the latter is accused of depicting the life of prostitute and the skin. "亵". At this point he has begun to cooperate with Master of Masters such as Saldi, Ferni. The film of his first independent director is "乞丐", adapted from his own work. The second part is "Roman Mom." The film describes their tragic life with a poor darkness. The film was once again successful and won the 62-year Venice Film Festival Club Alliance Award. In his movie, it is full of strong accomplice and tragicity. His film "Soft Cheese" is only free from once. His movies and literary works were prosecuted for 33 times due to poor content, while Par Solini said: "To protect the morality of others, it is forbidden to ban other more dangerous things to find excuses." His last work " The 120 days of Saro - or Somoda reveals the power of modern consumption social cruelty-like hustle merits, and gives the title of "Schracarda / Maharacked" to all the audience, causing an uproar. The film became the poet's scream and desperate cry. As a healthy revolutionary, Par Solini's gaze always condenses in suffering from the bourgeoisie world. He is born in a typical small bourgeoisie, but he has deeply hate in the bone marrow: "I am like Mora Via and Beltozi, it is a small bourgeoisie, which means a dog egg." He loves all The rogue proletariat, he often tongged in the film, reproduces the scene of the Bible, and the characters he regarded as the founding of the world is often a thief, robbing the stream of criminals. He "pollutes" sacred in its unique style. But he believes that it is really polluted that the poor people in the suburbs of the Roman suburbs and the vast extroverted class are all in the bourgeoisie, including the doctrine of hypocrisy to "pollution".
Par Solini is always the source of contradictions and disputes. In 1964, he filmed "Matthew" and put the Bible story on the secondary proletarian revolution. It used the lens and scheduling in a near documentary. In his opinion, Matthew Mado In the most world, the most revolutionary tendency. But almost all of the "progressive" left-wing molecules at the time.
Under the influence of the subtle relationship between modern linguistics and mythology, Par Soli's creation began to deviate from the tradition of "new realism", and turned attention to mythology and ideology, and continued to build his epic religion. system. He adapts the "Oedipus King" and "Meda". In the previous one, he changed the circumstances of those people, resiened the perspective of the protagonist to express his personal point: Oedipas is not a tragic figure who is cursed by fate, but a refusal to reflect on itself. Towards the destruction. He is finally blind, wandering, sin (this is the blind stupid modern man's portrayal). These two movies further identified Par Solini's attachment to marginal culture and inner industrial civilization. He believed that capitalism has established a world that has lost mythical sensibility, making people lose their sense of identity, lost and nature. Harmony. So in "Meda", Miriya symbolizes the unfair's revenge with a new meaning: they will defeat rationality and order with the power of the witchcraft mythology, and obtain liberation and freedom.
The late "Trilu" "Talks", "Shu Yingbei", "Sky Night" is more than a "carnival", a public myth. These videos are amazing box office with a delicate wonderful scene, relaxed humor, near-flow porn, and carefully arranged exotic. These three films marked in Par Soli to stop his modern meaning of ancient legend, separated from the gods of marrow, and turned with the people. He is convinced that "the three songs of life" is fortunate in sex, is the "political struggle" means for the materialization and alienation rule of modern capitalism in the people. "The body has always been revolutionary because it represents the essence that cannot be encoded." In the end, physical life cannot be imprisoned.
In 1975, Par Soli completed the last movie "Saro, Namedo Doma 120 days", and moved the work of France's most "notorious" sex. screen. Sad Grand is a difficulty in the history of the world literature, his work is known for its sexual customs, especially abuse. Modern academic community uses Sad's last name to name. The author is the most famous, the most unambiguous is this "Somoda 120 Days". Par Solini will further put it in the period background. And make the characters in the original as an image, it is really amazing. Some people say that this film is "one can't look, but can not look". Par Solini has always swayed between his life, sexual ideology and political poles, and is aesthetics, pagan, hidden, one side is a reality, the public and revolution; one is Freud, while Marx is . He constantly denies itself, surpass itself, abandon itself until death.
