Author: waiting for the silly fish (echo008) Homepage: waiting for the silly fish (echo008) Source: Silly Fish beautiful mood - Sims blog profile: beautiful feeling stupid fish - Sims blog Posted: August 10, 2004 Day 1:54 Channel: Reference Columns: Phantom Dawn ☆ Chaotic Bag Views: 25 Comments: 0 Word Count: 15274 China's painting art has a long history, and the source of origin, the Han nationality, including the painter and trammiths including each ethnic minority It creates a form of traditional Chinese traditional painting (ie, Chinese painting) with a variety of national style and rich multi-cultural forms. Chinese painting has a profound tradition and unique national style. It is the main tool for brush, ink, and kettle paper to seek pen ink, rhyme, artistic conception, style, with point line structure as the main manifestation means, self-contained in the world field. The painting will be roughly divided into characters, landscape, layout, flower, melon fruit, quill, beast, worm fish, etc .; technical pen, letter, hook, color, ink, etc., the color can be divided into Jin Bi Several of bone, splash, color, shallow, etc., mainly using lines and ink variations, hook, 皴, point, dye, strong, light, virtual, real, sparse, secret and leave white expressions, To portray the items and business positions; the form of the fuel, screen, spools, albums, seans, etc., supplemented by traditional decoration process decoration. After thousands of years, Chinese paintings have been constantly rich, innovative and developed, and the style is unique, and there is an important status and impact in the orientation of world art. Original Society to Qin and Han Dynasties - The earliest remains of Chinese paintings in the national style can be traced into ancient rock paintings and a very rich decorative pattern of flourishing pottery. Although the painting of the Neolithic Age is still in the preliminary stage, it has preliminary modeling, and the main characteristics can also be seized on the shape of the characters, fish, birds. Summer, merchants, Western Zhou and Spring and Autumn, During the Warring States Period, painting has made considerable progress. At this time, the image of the painting can be seen from the bronze and jade, the color painting on the lacquer, especially the "character dragon and phoenix painting", which is unearthed in the Chu Tomb of Changsha, Hunan, and "Character Yulong". China's painting has reached a high level at the time, laid the foundation for the development of painting art during Qin and Han Dynasties. The Qin and Han dynasties of more than 400 years have a feudal empire of the centralized centralized centralized centralization in China, the nationality is strong, and the Silk Road is communicated with Chinese and foreign art. The development and prosperity of painting art appeared in this context. There are many murals on the Han Dynasty courts and political buildings, which are used to promote the education and praise. Han Dynasty tomb murals and portrait stones, portrait bricks, especially unearthed mood, providing a wealth of image information for paintings in this period. The Han Dynasty painting is very mad, the hand is flowing, both of which have a rough style, but also tend to make a delicate, vividly shaped reality, history and mythical figure. In expressive people, animal dynamics, revealing the climax, reflecting reality, etc., has important achievements.
Jin Gu Yuzhi Luo Shen Fu Tuo (Song Jin)
Jin Gu Yuzhi Luo Shen Fu Tuo (Song Jin)
The South Dynasty Zhang Yan Snow Mountain Red Tree Tasket (Song Jin) China Painting - Taking China Painting - Benefits China from Three Kingdoms to the Sui Dynasty, in the long-term division, the war is frequent, the people's livelihood suffer, lasting 369 years, This painting has a special important position in the development of China's painting. In the history of Chinese painting, a well-known painter with reliable records has begun, starting from two Jin Dynasties in the Three Kingdoms. At the Three Kingdoms, Wu Guo's Cao did not say, with good painting, and the same class with Huangxiang is one of the best. When the West Ducheng, the painter who plays the time is a guards, and after the second, there is Zhang Mo, 勖. The Weizie Association and Zhang Mo have been pushed as "painting". To the Eastern Jin Dynasty, there was a more important painter Gu Yu. Gu Yuzhi has an extremely far-reaching influence on the development of Chinese painting. He has highly accomplishment in Dao Shi, so the actual painting, portrait painting and other aspects, and he is also China's earliest painting theory criticist. Dai's Buddha statue is equally famous with his Buddha statue, making an important contribution in creating a Buddha statue. When the Nort-North Dynasties, the Southern Dynasties Liu Song Dynasty's painter was the highest, and the draft of the dramatic, painting the character creates a beautiful graphic, and the impact on the times and the later generations is great. It can be comparable to Gu Yuzhi, so the future will often "Gu Lu" In response to the matter. Lu Yan, the submatch, and was also called the painting. China's earliest landscape painter Zong Bing, Wang Wei, also appeared in Liu Song generation. In addition, Gu Jun's extension, Gu Jingxiu, Liu Yulu, also known as the good painting; Wu Wei, Zhang Zi is also quite famous at the time. The famous painter of Nanqi, Liu Wei, a good wife, and the Mao Weiyuan, good painting of the ghosts, the ghosts of the ghosts, and the people of the horses, and the character painter Sheiki, with good portrait, timely makeup Time. The most painter of Liang Dynasty achieved the painter of Zhang Yi, and he is known as the "Shan Tu Temple", his original painting style technique gives the Tang Dynasty, Yan Li Ben, Wu Dazi. When the Northao was the number of Yang Zihua who was painted at the time, and there was Cao Zhongda known from the "Cao Jiashi" Buddha (Van). In the Northern Week, there was a famous field that was known as the good painting Chai car and praised by Feng Taka, who was called the north of the north of the Picture. Others such as Zheng Ji, exhibitions are all painters entered into the north, and they play the role. The era of three countries and North Dynasties, provided the soil, Buddhist art, which was promoted and developed by Buddhism, Buddhism, and the north and south. Based on the development of Han Dynasty, this period has further aware of painting characteristics and functions, painting history and painting theory begin to appear. Although the painting of the topic of the Han Dynasty, the paintings of the subjects, which still account for a certain proportion, but the work of the life and character image of the name of the name of the name of the character of the name of the characters, and the painting creation of literature is also increasingly active. Water painting and flower bird painting began to bud. This phase of painting is the performance of the portrait and temperament of the pursuit of mental states in the shape of the figure, which reflects the level of painting during this period. During this period, the theoretical and historical books of paintings appeared successively, and it continued to develop. There is "Painting", "the Wei and Jin Sheng Fang Painting" and "Drawing Yunthang Mountain". The south dynasty Liu Song Dynasty, Zong Bing "paintings" and Wang Wei "narrative" is China is also the aesthetic monograph in the world about landscape paintings. Qi Liang Xie Koh "painted" is a monograph in which the art of art is the advantages and disadvantage of the ancient book, but the meaning of this book is far exceeded its product evaluation to the specific painter. In fact, it is a summary The important work of the artistic standards of ancient Chinese paintings. Sheik's six laws have an indelible impact on the theory and creation of future generations. Yao Yao, Yao, is the most "resume", which is followed by Sheki, and also specializes in the painter's art. In general, the painting of the Han Dynasty, the pen ink is relatively simple, and the composition is relatively simple until the West Jin begins to preliminary maturity. After the Eastern Jin Dynasty, Gu Yuzhi, Dai Wei, Lu Wei, Zhang Yu, Yang Zihua, Cao Zhongda, etc. At this time, the characters and beasts have reached the mature stage, while landscape, flowers, birds, and birds are far from mature. Need to develop.
The landscape is only the liner of the character story, and the method of depicting "people is greater than mountains, water is unavoidable". The painting of the mountains, "If the peak is rhinoceros," painting stone "stretching the arm". There is also a feature of painting during this period. It is to say that the two Han people have served as political and religious services, and since the Jinnan Dynasties, although the work of publicizing the political and religion occasion, the mainstream is a story painting with literary and art. Or painted in a style of reality. In addition, in addition to the Buddha's paintings, there is a rejection of the reel painting, so it has begun to make a reality. Chinese painting in the Sui and Tang Dynasties - moving towards high-profile exhibitions (local)
Tang Yanli Benxiao Tu (local) Sui Tang two generations are in feudal society, national unity, social relative stability, economic prosperity and export economic culture exchange, so that painting art forms a splendid and brilliant situation, it is ancient China Another peak in the development of painting, and emerged a group of famous painters with significant impact in history. If the character of the new Tang art new level, the painter is 阎 立 本, 迟 僧Painter Han Gan, Wei Wei, Cao Ba, Wei Wu, Chen Wei, etc. The Painting Gentern of Tang Dynasty is still in character painting, the court's governance, the governor of the gongs, is still continuing, the Grottoes and Temple Film have a greater development, and their scale is magnificent. It is unprecedented in history. In Buddhist murals, there is still popular in the Chinese and Western region, but the work with a distinctive Central Plains accounts for absolute advantages, and the influence of future generations is far-reaching. The landscape painting in the north and south of the East, South Korea has a significant progress, and the rich and decorated green mountain water is appreciated by the society. The Sui Dynasty exhibition is a thousand miles, and Li Si training in the Tang Dynasty, Li Zhao Road's father and son's landscape skills have also contributed to the development of green mountain water. Wang Wei, Zhang Wei, also known as the water and Yushan water, but also the Sun of Longshui, it can be seen that there are a variety of things in the Tang Dynasty mountain water, and Jin Biqing green and ink are in parallel. Specialized mountain water painters are increasing, and landscape painting will enter the mature stage. With the demand of society, the flower and bird painting has also begun to rise, and the Tang Dynasty flower and birds have focused on the eagle, the crane, peacock, pheasant, butterfly and flowers and trees, most of the work and finish. Due to the power of martial arts and aristocratic hunting, the aquarium and other subjects have become a specialist and have achieved considerable achievements. In addition, the inventions of the printing make the prints develop. Mural art reached great in the Sui and Tang Dynasties. The theme of the murals is expanded from the drawing character and the Buddhist story to the aspects of landscape, bamboo, and animal, etc., the content and skills have greatly exceed the previous generation, and the form is a tomb mural and temple mural. These murals are mostly in the hand of the court, depicting people, landscapes, libraries, landscapes, etc., lines or rigorous simplification, or sprinkle, and colorful, showing the beginning of the Tang Dynasty Painting level. The prosperity of the Painting of the Tang Dynasty promoted the development of painting history, the collection of books and painting history is also greatly exceeded. Tang Dynasty painting product evaluation book has Yan Yan "Post-picture", Li Weizhen "Renewal", Zhang Huaizhen "Draw" and Doumong "Painted Authentic". When Tang Taizong, Zhong Shuhe Li Xiaoyuan has a book of "Victory public and private". Zhang Yanyuan's "Dynasty", which is completed in the first year (847), is the oldest painting history. Tang Dynasty painting is not only bold, not only the performance skills of foreign art, but also spread through the exchange of Chinese and foreign economic culture to other countries, and has a great impact on the development of Japanese ancient painting. The Pictures of the Tang Dynasty and magnificent, with the spirit and style of the era of high spirits. Chinese Painting in the Fiveth Generations and Song Liao Jin Dynasties - Comprehensive Development
(Screen.width-450)) {this.width = screen.width-450}} "alt = Click the new window browsing image src =" http://album.anhuinews.com/userimages/1208/OfDscRXwlocyDWfrhbLfmUQRheWKbpVfjYEnAPWY "οnlοad = "JavaScript: if (this.width> (Screen.width-450)) {this.width = screen.width-450}" border = 0> five generations of Gu Ying Zhong Han Xi Night Banquet Volume (Part) [IMG = C HTTP : //Album.anhuinews.com/UserImages/1208/ywiyrvwxrszdaetvhaxqnoshvivncgiqkrkqbmpq "Target =" _ blank "> Five generations of Han Xi Night Banquet Roll (local) [IMG = c http://album.anhuinews.com/UserImages/1208% 2FYWIYrvWxrszdaetvhAXqNOSHVivnCgiqKRKQbMPq "border =" 0 "alt =" Click the new window browsing picture "οnlοad =" javascript: if (this.width> (screen.width-450)) {this.width = screen.width-450} "onreadystatechange = "if (this.readystate == 'complete') {if (this.width-450)) {this.width = screen.width-450}}> Song Jura Layer Rock Tree
Song Fan Guan Snow Mountain Xiao Temple Temple Five Generations and Song Liao Jin period, China's history entered the feudal society, and the painting art was further mature and complete, especially the Song Dynasty, became the heyday of the ancient Chinese painting. Bachelor of literati treats the book and painting as elegant spiritual activities and cultural literacy, and puts out a sharp aesthetic standard for painting, and the unique system began to form a unique system in creation and theory. Society, the palace, the painting creation between the palace is characteristic, and the Song Dynasty painting has the situation in the content, form, and skills, and the development of multi-party development. The Song Dynasty painted the subject of the Tang Dynasty, there was a big expansion in the Tang Dynasty. Although there is still a certain scale, especially Taoism paintings, especially Taoist paintings, due to the promotion of Taoism, but the grotto art has undergone significant recession, temple view In order to adapt to the public interest, the content of the life image and the lively scene is important. On the basis of the Tang and the five generations, the landscape painting is developed towards the breadth and deep development. The characters of the history theme are popular. But the story painting and customs have been highly developed. Portraits have been popular in society. Except for Buddhist scriptures, it is also used for scriptures such as "Fisher", such as "Fisher", such as "Building French", etc., the drawings, such as "Plum Hook", and has a single print appear. In particular, the annual painting of the carving is needed to make the prints into the private sector. The development of mountain water paintings during the five generations is the most significant, the Jinghao, the five generations of the Central Plains, the same, Jiangnan's Dongyuan, Juran, Juli, shaped the landscape paintings in different regions with different pen ink skills, and there is an important impact on the development of the water painting in the future. Song Dynasty Mountain Water Pramemathers, each has expertise and creation, the Northern Song Dynasty, Li Cheng, the long-term mountains and snow, Xue Ning's Lin Mushe, Guo Xi depicting the slight change, Hu Chong, Zhao Lingzhen Lynoric, Mi, Mi You Ren, the Yunshan ink, Li Tang, Ma Yuan, and Hyogang highly cut the poetic landscape reflect the continuous change and development of landscape painting, and also known as Liu Song . The flower and bird painting also has a long development. The five generations of Jiangnan Xu Xi's idyllic figures and Xihuai's odd flowers have two different styles. The northern Song Dynasty Zhao Chang's finished color flowers, Yi Yuanji's pair of monkeys, Cui Bai's defeated Wild geese, Zhao Mengjian's narcissus, the college flower and bird painted by Zhao Wei, has a high level; Southern Song Liang, the legal bird painting The introduction of water ink. The popular Su Shi in the literati bachelor's aromal stone, the text of Mozhu, Zhong Ren, the innocent Mei, ink, and the poultry more emphasizes the interest of the main view, and the high-level realistic, portraint of folk painting and court flower bird painting. It is very different from the micro painting. Northern Song Dynasty, Li Gonglin contributed to the white-drawing technique of pure use, some painters were also trying to have the form of painting and performance skills on the video of the flower bird. The court and mausoleum also painted the tomb murals and temple murals, creating paintings with national style and local characteristics. The literati doctor in Liao Liaoyin is developed on the traditional Chinese style of literati, and has a direct impact on the Dragon Dynasties of Yuan Dynasty. The five generations and Song Lai Jin period are the era of famous families. There is also some influential painters in this period: Wang Qihan, Wei Xian, Zhou Wenchang, Guo Zhongshu, Gu Yizhong, Li Di, Li Wei, Mahe, Wang Wei, Xiao Zhao, Yan Wengui, Zhang Duan, Zhao Bo, Guo Xi, Chen Jianzhong, Fan Guan, Gong Kai, Hui Chong, etc. The painting of the Song Dynasty is the peak of the development of Chinese painting art. It reflects a wide range of real life content, which is extremely high in ancient painting history. It uses a lot of beautiful art form, created a lot of artistic manifestations, close contact with the society, and most of the style and theory of Yuanmingqing painting can be found in the Song Dynasty painting, which shows Chinese painting. Mature and high prosperity. There are many important creations in the Song Dynasty painting art. Focus on tap the spiritual appearance of the characters and moving the plot, focus on shaping distinctive artistic images. Flower bird painting, landscape painting pursues beautiful and moving artistic artistic, pay attention to true and smart artistic performance, and strives to perform image refining, with high realistic ability.
Donor's painting has also promoted the prosperity of painting art, and they have contributed to the exploration of subjective expression and ink effect. The court painting is highly developed on the basis of the prosperity of the entire social painting, and its artistic achievements cannot be ignored. The Yuan Dynasty, China Painting Yuan Zhao Meng, the Chinese Painting Yuan Zhao Meng, the mainstream of the literati.
Yuan Ma Yunyun poetry
Yuan Ni Wei, Qi Shu, Qiu Feng Tuto, 1279, Mongolian Dan Song, unified China, established a metastal empire centering from the big capital (now Beijing). In the Yuan Dynasty painting, the literati painted the mainstream of the painting. Their creation is relatively freedom, with more life environment, taste and ideals. Listern, dry wood, bamboo stone, Mei Lan and other subjects have appeared in a large number of people directly reflecting the people's paintings. The work emphasizes literature and pen ink champion, pay attention to the three combination of writing and poems in writing and writing. In the end of the creation, the literati theory of the Northern Song Dynasty, Su Shi, Mi Wei, etc. In the Yuan Dynasty in the Yuan Dynasty, the famous name is famous, including Zhao Meng, Qian Choose, Li Wei, Gao Keong, Wang Yuan and No. Wu Zhen, Wu Town, Ni Wei, Wang Meng's most famous. Yuan Dynasty painting is the most prosperous, its creation, artistic pursuit, and style reflect the main tendency of the painting, which is the most far-reaching. Yuan Chu Yushan water painter represented money, Zhao Mengfu, Gao Kegong, and they all made serious explorations in traditional landscape paintings, and retro the retro to seek new roads. Qian Choose the green mountain water, teacher law Tang Dynasty Li Si training, Li Zhaodao father and son and southern Song Zhao Bo, and integrate the spirit of the literati painting, it has a kind of interest. Gao Kegong changed into rice, Dong Yuan, Li Cheng, formed a unique style of Tunu Xiuyun, in the beginning of the first and Zhao Meng, the money is selected and driven. In the middle of the Yuan Dynasty, the rise of Huang Meng, Wang Meng, Wu Town, Ni Wei. Four of the four artists from their respective innovative styles and concise and ultra-quiet artistic techniques to a new stage, representing the mainstream of the development of mountain water paintings during this period. There is also a group of mountain water painters, each with a teacher, self-characteristic, and is also quite well in history. Among them, it is affected by Zhao Meng, and the painter of Li Cheng, Guo Xi's painting method, Sheng Yu, Shangqi, Cao Zhi Bai, Zhu De Run, Tang Wei and others. He is affected by Huang Guanwang and Wang Meng, and the teacher Dong Yuan, the god of the gods, Ma Yuli, Chen Ming, Fang Yi, Zhao Yuan and others. Learn the Southern Songyuan Shanshui Painting Method, retain Ma Yuan, the Hussen rust of the HK, Sun Junze, Dingyu and others. In addition, the landscape of Wang Zhenpeng, Li Rongzhen, Zhu Yu and others, using a pen and finish, precise, and is famous for the Yuan Dynasty. The painting of the Yuan Dynasty is not as good as landscape, and the flower bird is drawn. Due to sharp, complex nationalities, classes, social contradictions, most painters are negative, indifferent to life. Especially the literary doctor painter, mainly borrowed from mountains and rivers, dead woods, bamboo, and vault, and negligible to express personnel. Therefore, it is extremely small to reflect the characteristics of the real life. With the popularity of religion, there is a certain increase in the painting of the Buddhist people. In terms of art, some painters learn the written skills of the literati, and have also achieved certain achievements. Liu Chengdao, the teacher of the law, the length of the ancient people, the pen method is agglied, and the character is comfortable, and is a master master. He Cheng inherited the rules of the Southern Song Song, and the Yuanyuan character was drawn. Wang Zhenpeng's law, Li Gonglin, the brushwork is smooth, and the characters are vivid, and the box is rendered in the white, breaking through the generals of the line. Qian Chimoi's paintings are self-promoting, Tang, and clothing use Gu Yuzhi's high tour of the ancient tour, the work is stable and the palatage, and the clear show is in ancient, self-contained. Ren Renfa people's sadmony Tang people, the pen is thin, the pen is bright and beautiful, retains more Tang Tang tradition, but there is also its own style, in the beginning and Zhao Mengzhi. Zhang Wu's painting and white, the people, the teacher, Li Gonglin, flowing smoothly with a pen, the image is true, lifelike, is known as "wonderful". Wang Xintang's good painting portrait, the pen method is fine, the shape is accurate, the expression is vivid, and the achievement is the most prominent in the Yuan Dynasty portrait.
Yan Hui is in terms of religious figures, and he has a reputation. He uses a pen to rude, slightly near the Southern Song Dynasty Liangzuki, in the ink, halo, induced unevenness. With the prosperous painting of the literati, the painting of the aura, bamboo, Mei Lan and other subjects has been further developed and significant changes. Its theme is often meaningful, and the ideological sentiment of the painter is hovering. The art is discussion natural world, not carved and wary, advocating the net is expensive. Mainly in ink techniques. Its painting wind opened the lanterns of the later ink. The money is chosen to make a cleverness in the clear and elegant, and the ink care of the ink and colorless bone of the ink. Wang Yuanquan Huang Yang, the works are multi-use ink method, and the migration will be rich and beautiful. It is the most prominent flowers and bird painting in the Yuan Dynasty. Chen Lin, Zhang Zhong's pen method is thick, broke through the meticulous specification of the painting of the Song Dynasty. The most famous Li Wei, Gao Keong, Zhao Mengfu, Ke Jiusi, Wu Town, Gu An, Ni Wei, etc. Zhang Xinshao painted double-hook bamboo, in the Yuan Dynasty, the Yuan Dynasty was absolutely absolute. Other bamboo stone names still have Li Wei, Xie Tingzhi and others. With the painting of Pu Mei, there is Zou Reili, Wang Wei and others, they learn more than Zhongren monk and Yang. The murals in the Yuan Dynasty were more prosperous, and the distribution area was also very wide, and there were new changes in the traditional Tang and Song Dynasties and Liaojin murals. From the physical remains and literature, there is a mural mural in Yuan Temple, the tomb mural, the Royal Palace and the Dachang Guiping Hall. The increase in the theme of landscape, bamboo, and flowers and birds is one of the significant features of the Mural of Yuan Dynasty. The prevalence of the murals in the Yuan Dynasty made the exquisite mural tradition of Wu Dazi, Wu Zongyuan and others since the Tang Dynasty, which posted a non-negligible position in Chinese painting. The number of books of Yuanzi painting is a lot of books; but there are not many components. Important books have Sumangyan "Tu Baojian" in the history class, and the "Drawing of the Pilot"; the recorded evaluation is known to be "cloud smoke", Tang Yun smoke ", Tang Wei" painting "The painting class has Li Wei" bamboo spectrum ", Huang public" writes mountain water 诀 ", Wu Zhen" bamboo spectrum ", spare natural" landscape home law ", Wang Xintang" photo secret ", etc. In addition, the poems or paintings of the Qianli, Zhao Meng, Ke Jiusi, Wu Town, Ni Wei, Yang Weizhen and others are also related to painting creation. The Chinese painting of the Ming Dynasty - the genre is in Taojin Guanshan travel travel
Ming Wang Hijiji
(Screen.width-450)) {this.width = screen.width-450}} "alt = Click the new window browsing image src =" http://album.anhuinews.com/userimages/1208/mypIIkmDTZIbAqoNYlZKYUgShPEmbBDepsqCmRio "width = 574 οnlοad = "JavaScript: if (this.width> (Screen.width-450)) {this.width = screen.width-450}" border = 0> Ming Chen Hongzong Songxi chart fan [IMG = C http: / /album.anhuinews.com/userimages/1208/NcbjffYdtLXRZfvbgacpjyStEGDaHRemNhuWYQHB "target =" _ blank "> FIG fan out Hongshou Sungki [IMG = C http://album.anhuinews.com/userimages/1208/NcbjffYdtLXRZfvbgacpjyStEGDaHRemNhuWYQHB" border = "0" Alt = "Click here to browse the picture in a new window" οnlοad = "javascript: if (this.width> (Screen.width-450)) {this.width = screen.width-450}" OnReadyStateChange = "if (this.ReadyState == 'Complete') {IF (this.width-450)) {this.width = Screen.width-450}} "> Plan in the history of Mozhuji in the history of Chinese painting, Ming Dynasty is a The style of painting, the dynasty, the dynasty, the dynasty. In the painting of the door, theme, traditional figure painting, landscape painting, flower island painting, the plum, blue, bamboo and number of plums, etc., etc. are also quite developed. In terms of artistic genres, there are many painting factions that are far-centered, or different from the style. In terms of teachers, the main people are mainly involved in the south of Songyuan style court painting and Zhejiang, and the development literati painting traditional Wumenpai and Songjiang School Two major factions such as Sussongpai. In the picture, the water and the flowers and birds are promising, the achievement is remarkable, and the character painting also has unique new characters. In addition, folk painting, especially Protestant, in the mid-one, the development of the painting of the Ming Dynasty can be roughly divided into early, medium and late 3 stages. Early Ming Dynasty Painting From Hongwu (1368 ~ 1398) to Hongzhi (1488 ~ 1505), the court painting and Zhejiang were presented in the painting, forming the trend of inheriting and promoting the style of the Southern Song China. The court painting of the Ming Dynasty was inherited by the Song Dynasty. The imperial court called many painters, all affiliated to the government, so that the court painting creation reached a heyday. After Zhengde (1506 ~ 1521), Wumen was rising and gradually replaced. The palace painting in the Ming Dynasty is in the mountains and water, the flower and bird painting is a narrow, and the character painting is narrow. The famous painter in the landscape is Li, Wang Wei, Zhu Rong and others. The flower bird painting has a variety of faces, representing the painter, she has the border of the people, and inherits the tradition of the Southern Song Dynasty, and the elegant and business. Sun Long took out the tire from the Northern Song Dynasty, specializing in no bone. Lin Liang is in the ink. It is said that the pen is washed and placed, and the shape is accurate. Lu Ji workers wrote a combination of flowers and birds, and the waterstones are rough, and their own place.
Although the court painting of the Ming Dynasty did not get the achievements like the Song Dynasty, there were new development in some respects. Zhejiang is dedicated to Daojin and Wu Wei, and the activities are in Xuande to Zhengde. Due to the founder to wear a Zhejiang, there is Zhejiang. Lucong Wu Wei is Hubei Jiangxia (now Wuhan) people, the history of painting also said that he is Jiang Xia School, and it is also from Zhejiang. Daojin, Wu Wei took the front and after, affected a large number of inside and outside painters. Followers have Zhang Road, Jiang Wei, Wang Yu, Li Jing, Zhang Qi and others. The mid-Ming Dynasty has a batch of literati painters in the Jiangnan area, such as Xu Xiang, Wang Wei, Liu Wei, Du Qiong, Yao Wei. Xu Qishan water integration Dongyuan, giant, brush-fashioned brilliance. Wang Yixi used the pavilion to bring the mountain water, and it is like Wang Meng, and the Mozhu is quite show, known as the "Mountain Hand" in the Ming Dynasty. Liu Yushan water is deep and deep, and the pen is rich, and Wang Meng, Wu Town. Du Qiongqi Shuiyu Shallow Mountain Water, with a dry pen. Yao Yu's main teacher law Wu Town, Wang Meng, the style is very stylish. Their painting wind is a pioneer of Wumen. There are still some painters, although they have not returned to Zong, and they have all built trees. Such as the early horse, Xia Gui, the postshore law is natural, to paint "Huashan Map" famous Wang Shi; known as the Academy, give Tang Yu, Qi Ying, Zhou Chen, who is affected; good at ink, Guo诩, Shizhong; Duvery and others known as the white collection of people. From Zhengde (1506 ~ 1522) to Wanli (1573 ~ 1620), Wumenpai represented by Shen Zhou and Wen Ming, and became the mainstream of the Ming Dynasty Middle Painting Painting. They inherited and developed the honorary painting tradition of advocating the pen ink, "Mora", "Yugi", with Shen Zhou, Wen Zhengming, Tang Yu, Qiu Ying's most famous, painting history called Wumen four. The painted school they pioneered, known as Wu Wenpai. Wu Gate's four outstanding artistic achievements have produced a huge impact at the time, from scholars. Shen Zhou, Wang Zhou, Wang Zhou, Chen Hao, Du Shuon, Xie Shisheng and others. Following the two or thirty people of the text, thirty people, famous with Wen Jia, Wen Ben, Luzhi, money ■, Chen Yu, Lu Shi Road, Zhou Tianqi, etc. Wen Jia Mountain is slight, Wen Bo is secret, Lu Zhifang is cliff, money ■ Dough, Chen Yu placed pen lettering, Lu Shi's fine pen hypothesis, Zhou Tianqiao is a good Lanshi, and others have a characteristic. Wu Wensai's home is especially new in the field of flower and bird paintings. Wu Wensai has developed to the end of the Ming Dynasty. Due to the old, imitation of morphology, the status is further taken, and the Dong Qichang and his genre of the literati painted. In the later stage, from Wan Dynasty to Chongzhen (1628 ~ 1644), it was the later stage of the Ming Dynasty painting, a new transfer in the field of painting. Xu Wei further improved the uppercase of the flower and bird painting. Chen Hongqi, Cui Zizhong, Ding Yunpeng, etc. Painters represented by Dong Qichang have a different approach in literati, water painting, forming a lot of assisted. Xu Wei was successively completed by Chen Hao, and founded a generation of ink writing to the change of the ink, and its painting wind has vigorously promoted the development of the later generations, the history of the painting is called the vine painting. Xu Wei's painting wind, has a profound impact on Zhu Yu, Shi Tao, Yangzhou Bairi, Haitao, Yangzhou Bairi, Haitao, and modernity. Ming Dynasty portrait is more developed in character paintings. It is more developed in the later future, and Zeng Whale is a representative painter in which innovative spirit, the scholars are very popular, and they have formed a Podi to the Qing Dynasty. In the late Ming Dynasty, the painter in the mountain water paintings, followed by the representative painter in Wumenfa, is Dong Qichang. He also advocated literati painting, emphasizing 古, paying attention to pen ink, pursuing "morale", and puts forward north and south. The Songjiang party he created replaced the rule of Wumen School. He proposed the theory of painting, especially north and south, has a significant impact on the painting in the late Ming and early Qing Dynasty. It has formed many mountain water paintings in Susson.
More famous painters have the dragon, with him to create north-south basin, Chen Jiru and him for the school, Zhao Zhi is also a letter from him, they are all Songjiang sent the Lord; Gu Zhengyi Hua Tingpai, Dong Qichang has been promoted in the early years Song Xu is also a giant giant, and Shen Shi is in Song Zhengjin, and Zhao Zhi, Zhao Zhi, and also for Dong Qichang, the world is called the cloud. In addition, the advanced painter affected by Wu Wensai also has Cheng Jia, Li Zhifang, Yan Wenyu, Shao Mi, Yang Wenzi. In addition to Susson Areas, there have been a lot of regional landscape painters in the late late period. Such as Zhejiang Qiantang's Blue Shouwu Linpai, Yu Yun from Wuhu, Anhui, from Chuanggu, Zhejiang Jiaxing's Xiangyuan, Xiang Shengjian Jiaxing Pai, Jiangsu Wujin Zou Zilin, 恽 创 创 进 进,,,,,,,,,, Not large. At the beginning of the Ming Dynasty, although the formation of a wide range of famous landscape paintings, most of them were influenced by Wumenpai and Dong Qichang, the system belonging to the literati painting. Ming Dynasty literati playing drama is also very developed. Specially in Mozhu, Songk, Wang Wei, Xia Wei, Lu Zhizhi, with Mu Mei, Sun Yizi, Chen Xianzhang, with Mo Lang's famous weights, etc. Among them, the humane bamboo was called first. There are also some affected painters: Wen Peng, Zhang Road, 髡 髡, Ni Yuanyi, Sun Kehong, Wang Wei, Wang Jian, Wang Qian, Wang Timemin, Wu Bin, Xiang Sheng, Xiao Yun, Xing Wei, Zhang Hong , Zhang Rui Tu, Zhou Zhi, Gong Xian, Cheng Zi, Cheng Zhengqi, Fu Mountain, etc. With the development of the commodity economy and the emergence of capitalist sprouts, the folk painting of the Ming Dynasty is relatively active, and the woodcraft is especially the woodcut. The main contents of folk creation can be customary, historical stories, god painting, water cover and portrait painting. The creation of murals in the Ming Dynasty is not as prosperous, and the world is the main temper mural. But painting the theory is rich than the previous generation, not only the history of painting, the paintings, but also have a series of books, questions, and notes have become a collection. Having "Tu Painting Bao Jian Xian", Zhu Yishu, "The History of History", and Jiang Shaohu "." It belongs to the statement, there is Wang Shizhen "Art Court", Dong Qichang "Points", "Drawing", "Painting Centers", Mo Dragon "Painting", Drama "Draw", Tang Zhichi " Draw a micro-speech, Gu Dingyuan "painting", etc. It belongs to the product class, there is Li Kai's "Zhonghuo", Wang Yizhen's "Wu-gun Danqing Zhi", etc. It belongs to the painting series, there is Wang Shizhen "Painting Court", Zhan Jingfeng "Painting Court Repair". It belongs to the category, there is a "meaning", Zhang uchun "Qinghe Book,", Wang Yucu "Coral Network", Yu Shiqing, "Yu Guo Drawing Question", etc. In addition, there is a poems, questions and notes in the style of Wang Shi, Shen Zhou, Wen Zheng Ming, Tang Yu, Li Zihua, Chen Hongyi, etc. Chinese painting during the Qing Dynasty - Divisa is one of Qing Shi Tao Poetry
Qing Wang Yu Xuexia Map
Qing Zhu Rongfang
Qing Zhao's Qian Diangxiang Split Chart Banner China Qing Dynasty painting, under the influence of political, economic, ideological, and culture, showing a specific era. The reel painting continues the yuan, the trend of the clear, the literati painting is popular, and the landscape painting, the ink is prevalent. The literati paintings present two tends to Chongchao and innovation. There are different pursuits in the subject matter, ideological fun, and ink skills, and form a variety of style and genre. The court painting has also achieved great development in Kangxi and Qianlong period and presents a new look of a different advancement. Folk paintings have the most prominent achievements in annual paintings and printings, presenting unprecedented prospects. The historical process of the development of the Qing Dynasty is associated with the development of the whole society, and can be divided into 3 periods in early, medium and late. Early Qing Dynasty Painting was the first year of Kangxi. During this period, the literati landscape painted and formed two distinct artistic pursuits. Continued the four king painters of Dong Qi Changyi, with the purpose of 古 为 为 视 视 视 地 地 地 地 地 地 地 地 地 地 地 地 地 地A group of Ming Dynasty, the painter in the Jiangnan area, sentimental mountain water, borrowed from the painting and art, and the art of innovation, the spirit of Jinling, "Si Yan", and the new place. The four king paintings mainly refers to Wang Sensitive, Wang Jian, Wang Wei, Wang Yuan, 4 people, sometimes plus Wu Dai, Shouping, "four kings Wu Wei" or "Six at the beginning of the Qing Dynasty". The artistic propositions of them in Quitu are Jinke Yushu, Ltd. is committed to 古, promoting the four, emphasizing the written ink, pursues the interesting interest. Wang Yuan is known as the leader of Yandong. Wang Hao is known as the leader of the Lushan. The four kings painted to the middle of the Qing Dynasty, affecting the field. "Four" refers to Shi Tao, Zhu Wei, Shixi, and four people in Yangjiang. They art advocate "borrowing ancient times", opposing Chen Chen Xiang, paying attention to life feelings, emphasizing the unique spirit, creating an unique, 落, does not guard the rope, unique painting style, revitalizing the painting A far-reaching influence on the world, affecting the later Yangzhou eight monsters and modern capitalized flowers and birds. Shixi and Shi Tao are also called "two stones", and Cheng Zhengqi (Qiqing Xigao people) and called "two streams". Yang and Shi Tao, Mei Qing have Huangshan School, with the Chaser Sign, Sun Yi, Wang Zhilai, called Haiyang, and formed a new place. During the Qing Dynasty to Kangxi (1662 ~ 1722), there were some painters, and the painters were all kind.恽 Shouping's no bone floral painting, with a very good, fresh and elegant style, has a wide range of influential, known as Changzhou or Nancian. Yuan Jiang's symptoms are so beautiful, majestic, and is famous for the Qing Dynasty. Other local genres include Luo Mode's Jiangxi School, Blue Meng, and Blue Depth of Wulin Pai. In addition, there is a Ding Ding, Wang Tree ■, Xie Bin, Shangguan Zhou and others, good painting characters, portraits. Zhou ■ Zhang Mu Shan painting dragon, horse, Fu Yos, Puhe, law, Huang Xianjian and other good paintings. Kang, Yong, Dry During the year, the Qing Dynasty society stood in the Qing Dynasty, during this period, the most prestigious person painter has Jiao Bing, cold, Cui ■, Jin Tingbiao, Ding Mei Peng, Yao Wenyi, etc. The landscape painters have Tang Yun, Xu Yang, Zhang Zongcang, Fang Wei, etc. The flower bird painter has Jiang Tingxi, Zou Yihai, etc. There is also a batch of foreign painters that offer Narentry, such as Lang Shining, Wang Fengcheng, Ai Qimen and others. In the mid-stage in the middle of the Qing Dynasty, in the Yangzhou area of commercial economy, the rise of Yangzhou Ba strange, forming a new artistic trend. "Eight monsters" is not limited to 8 people, but represents a batch of painters with distinctive artistic personality and weird. They pay attention to life feelings, emphasize the liberalization, the works are more written plum, lan, bamboo, stone, good use of splashing, with profound thoughts and hot feelings, forms are not embarrassed, wild weird, unique in the picture, rich, rich Newiness. The main painter has Jinnong, Huang Shen, Wang Shuda Shen, Li Wei, Zheng Wei, Li Fangxiang, Gao Xiang, Luo Hying and Huayan, Gao Fengham, Biao Shoumin, Sui, Chen Yi and others.
They will take more Mei, Lan, Bamboo, Chrysanthemum, Wildflowers, Fruits and Vegetables for the theme, to illustrate the character of the character, the lonely character, the like of the wild, so that the work has deeper ideology and stunning feelings . In this period, there is also a Zhenjiang area of Zhenjiang, and Gu Meqing, a draft (also known as the Beijing Jiangpai, Zhenjiang School), and high his own point of view, good at portrait, bamboo stone Sandy, Zhu Lizhen, Zhang Xining, Zhang Wei, etc., the landscape painter, Huang Yi, Qikang, Zhao Zhizhen, etc. The late Qing Dynasty is self-fashioned, and the road to the late Qing Dynasty. As the feudal society did not fall, China gradually became semi-feudal society, and new changes have also occurred in the field of painting. It is seen as an authentic literati geography and the court painting of the royal family, and it is a new painting, and there is a new painting, there is a new painting, and there is a Haipai and Lingnan Painting School. The sea school represents the painter with Zhao Zhiqian, the valley, the bear, Ren Yi, Wu Changshuo. Ren Xiong, Ren Yi and Ren Saun, ready to "four", they have achieved highlights in characters, portraits and smallholders. Their painting is very much near modern. Guangdong's Lingnan painting sent time later, late Qingjun, Zhaxian brothers opened their ancestors, the Republic of China, the father of the prince, Gao Qi Feng, Chen Shuren established a new school. They draw a sketch, the Chinese and Western painting style formed by the watercolor painting method, made a useful trial for the new development of Chinese paintings. There are some affected painters with Luo Mu, Meqing, Shangguan Zhou, Wang Wu, Chen Hongshou, Wu Dawei, Wu Qingyun, Wu Xi, Dai Benxiao. In addition, there are some geography such as seconds, second residential, Huangshan School, Yandongpai. The number of painting history in the Qing Dynasty, exceeding the previous dynasty, there are hundreds of thousands of, which are not 20 to 30 species. Talking about the paintings, the theory of paintings, the literati painting in the Yuan Dynasty, and focuses on landscape paintings, explores its historical development and artistic characteristics. The most important painting, the "bitter gourd", "Mountain and quiet paintings", and the "painting" of Shen Zongzhen, "Drawing", Qin Zuyong's "Mustard" Painting ", etc., is also famous for the study. Mainly telling the painted "Mustic Painting" and subsequent "Painting", and the paintings of landscape, Mei Lanzhu, grasshile flower and birds, and people. Dan's "photo secret", talking about portrait techniques. Zou Yihai "Hill Cantonese", for the earliest flower painting. Gao Bing "Finger Picture", monolithic fingers. Jiang Song "writes bamboo mispory" discussion painting. Many of many other paintings, paintings, comments, returns, and other works, there are also content related to painting. In the Qing Dynasty, many paintings were in combination with calligraphyism. At the same time, there was a comprehensive series. "Petanzi's book," is the most important macro, a total of 100 volumes, 1,844 books, complete data, and , Make a big completion for painting and calligraphy history. Modern Chinese painting - traditional and innovation near modern Xu Beihong Liujun map
