A few days ago, I saw a Xu Xing's visit on the "Southern Weekend". Today, I wanted to find the "no theme" to see him.
I can't think of it, I haven't found it for a long time. I found such an interview article in disappointment.
Original address: http://www.china.org.cn/chinese/rs/49348.htm
Interviewer: Nano
Reporter: Xu Xing
Interview Date: July 26, 2001
Interview location: Xu Xing accommodation, basement of a residential building
No matter how "Modern", "Pioneer", we mentioned the history of contemporary Chinese literature, can not mention two works that have been born in "People's Literature" in 1985: Liu Sola's "Don't Choose", Xu Star's "no theme variation".
Wang Hao said when reviewing his literary career: He is more than he (referred to) and the starting point is not high. In Liu Sola, I wrote "You don't have a choice", Xu Xing wrote "no theme variation", Mo Yan wrote "transparent carrot", "red sorghum", Ma Plagen wrote "The temptation of Gundose", "fiction "When I'm writing?" Write "Aerial Miss". What is this? A popular romance story.
Xinwepens recalls Ding Tian: I, anyway, this time, 12th, 134, I read this Xu Xing, Ma original's novel, can be said to be big, then I started writing a novel. Anyway, let's think about it, just like them, be a free, happy person, a useless life.
How much can this be seen in the influence of Xu Xing.
Xu Xing is thin, not as strong as imagining. Because it is in the basement, there is a bit dark in the house. Light came from the window through the grass, and it is also a business. The things in the room were not neat, and a row of bookcases accounted for the North Wall.
Xu Xing disease, catching a cold caused inflammation, the waist has been commonly known as "wrapped waist dragon", it hurts very much, he said, at night will be screaming. Xu Xing picked up the clothes, let me see, there is a packet of packets in my stomach. "If you are in front, you are entangled into a complete one, this person is finished." Xu Xing said, reverse the optimism.
I just went to the police station in the morning, mainly to ask the case that the residence stolen is broken. The conversation is from his spring of this spring. That is in February, in order to make it easy for the building, one of the iron fences in his community open. "I used to go out to go abroad. This room is just a lock. I have never been there. This time, it must be a clear reconnaissance. It is very clean, even the suit, the shoes have not been put, TV, computer and all electrical appliances Sweep and light, only the books in the bookcase have not moved. The most distressed is not those big, but the stamps of my episode - I have three dozen history. "
Xu Xing is now on the table, the friends have heard that he is robbed after being robbed, the display, host, and printers are different.
The interview was for him to "no theme variation" in that sensation 16 years ago, and the natural light in the house is as free as the natural light in the house. "This is very good, talk about the time, not talking about literature. Literature is really nothing to say." Xu Xing spit the smoke ring, recalling the depths of the past, and standing from time to time.
Limited to the space, the reporter will ask questions, and it will become the whiteness of Xu Xing.
I am swept in the gathered gathel.
In 1956, I was born in Beijing, and it is an authentic Beijinger. In 1975, I went to Zhidan County to take a few years. It is really bitter there, I haven't eaten potatoes, no other food. There, I have finished eating a lifetime potato. I can't eat it again - this makes me sin in foreign countries, and it is potato. In 1977, the soldiers were divided into 1981. Going home, I went to work to Beijing Quanjude roast duck shop, just in the peace door. I started to be at the waiter there, I didn't have a year, I went to the gate to sweep the gate. At that time, we all gathered roast duck shops can be important, often with leaders' appearance. At that time, the people would like to eat a lot of priests every day. At that time, I didn't do it well. I went to work and I didn't want to go.
When soldiers start writing things, poetry, scripts, novels ... The whole literature youth. However, never published things, I have never read the magazine of literature. From the heart, I can't afford the works on the publications, and I don't believe there is good thing. In the 1980s, the literature is conventional for people, and the political tastes of the things are very important, and very conceptualization, and the literaryness is not strong. Of course, this is inevitable in that era.
I am very comfortable in the roast duck shop. At that time, the people of cadres were not obvious, and they were almost the same, and they were free. I drink every day. I drink it before I go to work. I don't drunk. Who is not pleasing to the leaders, and can not give "open". At that time, if a worker was opened, it was a big thing to break the sky, almost he said that he went to the bureau.
But gradually, I was stimulated. Stimulate some friends from me, "hair".
What is the era, what is the most prosperous society? It is a study. All are learning. At that time, I didn't ask you what to do, what to eat, but ask what you are learning. My friends who grew up together are not going to college, just in the school or something in the school, no one is idle, it seems that I am sorry for you.
Friends said: How do you still do this? Don't you see it at all? Just when a lifetime is running?
Later, I became more "tragic", even the leaders of the running hall were not letting, let me go outside the door, when cleaning workers. Just I still don't think there is anything bad. People have their own survival value, why do you want one? Why do you want to judge me with the value of others? I have been doing things that I like to do, reading, writing ... Is this fall? Is this a low person? Do you have to divide the three schools into three or six ninetes?
This kind of emotion of "do not understand" occupies a period of life after I return to Beijing.
At that time, some things I wrote, and I have also passed between friends, and I have also passed to the students of the Central Music Academy and the Drama Academy. I just didn't have a good relationship with the whole literary world. "No theme variation" is written in 1981. It is also a friend who is written in a friend. Later, it is placed in a written friend.
The first time I ride the car for the first time, I still drink more.
In 1985, in April, I went to a friend to play, and I saw a "People's Literature" magazine on her piano. Inadvertently turned over, I saw Liu Sora's "Don't choose". I am really surprised and happy. The thrilling is Chinese literature actually can also send this kind of thing? It is a work that I seem to have a literary value. Hi, I can write this thing.
I thought about it, put "no theme" coming back from a friend, the copy changed, didn't make it, I wanted to contribute.
It's so big, I have never cast, I don't know how to vote. I heard that there is a editorial department in the Tiger Fang Bridge, and I don't know what publications, and I am going to boy. I found the door, the old uncle on the door blocked me and asked what I did. I said it was submitted. He is a draft that I am writing, is a poem or a novel. I replied is a novel. He said, then you have come to the place, you go to the east forty "People's Literature". I am gratitude, riding and riding the east, I know that I just went to the "Poem" editorial department of the year.
It was still a bit drunk that day, and I was not riding. I have arrived at noon. I only have someone left in the editorial department. He also pick up the lunch box. I said that I wrote a novel to contribute. People are also holding an attitude of editing, not cold, say something, we will watch it off.
I swept an eye, and each editorial table is full of manuscripts. In the end, I still put down the manuscript, people went downstairs, think about it, I feel a little hanging, I feel that I haven't mentioned it, I will come again. The man is still, I explained a few words, saying that I didn't use a manuscript paper, and the ordinary stationery in the name of a unit was printed. People are probably also polite and have a few words. It doesn't matter, as long as the manuscript is good. I have a lot of regrets. So many drafts, people see? Is this doing?
I didn't expect, the third day, the letter of the editorial department came to my hand, and the evaluation of my novel was very high, let me go again. I am also very surprised. It is quite excited about the truth. After all, I live like this, I finally got recognition.
When you go, it feels different. There are a lot of editing, watching me, the eyes are also very curious, what does it mean from such a person? I have never heard of it.
Also, I am sweeping in the door of a restaurant, and there is nothing in the literary world. Who knows me?
The editor has made a few opinions, not much, mainly not literary. I made a little change. Later, the novel was sent in the seventh "People's Literature" of the year. The person who took the lunch box is the responsibility editor Zhu Wei, the editor of the time is Wang Meng.
The contribution I got will have a few hundred yuan, 25 yuan per thousand words. This is a huge sum of this at the time. I was 38 yuan at the time. Moreover, outside the money, this novel has a very high reprint rate, and the magazine at that time is also a rule. Which forward will give me a draft fee.
Hold your broom, and accept interviews.
At the time of the literary world, the review industry also had a big response. I have to receive two or thirty letters a day. There are people around the country, soldiers, police, farmers, work, and mental patients. Some readers came to Beijing to find me, and discuss life; some people find the Chinese Concord to want my address, do not know at all, because I am not a Association.
There are still many reporters to interview, there are Chinese and foreign countries. I still is not a white coat, sometimes I will take my dog, a pocket of beer, and put a bag of sauce in a pocket. There is a reporter, I will sit on the stairs of the door, and the sweeping is put on the foot, and I will say it.
At that time, literature and writers were this social status, not normal. This is normal now. Nowadays, social development, information channels, and very rich, do not have to rely on literature to spread.
Objectively speaking, I was indeed a small person at the time, he did not be accepted by the mainstream society, appreciated, and found the direction. This represents a lot of common psychology of young people, and these people lose their basis and confidence.
Later, some said, my novel was influenced by the Wheat Field of Watches. But the truth, I have never seen it before. After that, I borrowed an obvious from my friends, I was very surprised, too like, not a statement, the structure, but emotional. People who write sometimes have this phenomenon, which is too difficult to explain. At that time, I was very red, I could work or "hanging my gelators", leaders can't expel me, I am looking forward to me. But I am a resolute, just sweep it, this work is too suitable for me.
In 1985, the social situation began to change, no longer so much, the leaders also couldn't bear it, so I found me to say that you will turn you again. I can't do it, I have to leave the roast duck shop. This thing really made me very painful, I found a good job in my life, and the result was lost.
Since then, I will not find a job, I have been "squatting", sometimes I really don't have money. To say, I am the first freelancer in the Chinese literary world.
When I returned to China, I also teach foreigners to earn some money, enough to eat.
People have their own social positions, it is difficult to measure each other. It's important to say how others say you, but your own feelings. The friends who have rushed to school at the time, today is busy making money. Money, I don't want to do it, I also want to wear, live in the house, open big, but I am a mentally wise, I have to get these, but pay for this, the sacrifice is what I think I think I think I am thinking about me. The most important thing is that it is free and idle.
Some friends say, what is wrong with you speak English, German,? I am not interested, "I am enough", you are all like this, I am biased. I am a little anti-trend. I think it's very good now. I am a person who can live, I want to do anything, I don't want to do it, I am very satisfied.
The anti-trend reverses abroad
This trend is not only in the past, but now it is also reversed; in China, it is also reversed in foreign years. When reading in Germany, the level there is very strict, and the student cannot refute the professor, and I am very used to China, I am very uncommon to their educational system. I originally wanted to study the "Pixabay Picture", took a Ph.D., and later thought that there was nothing to mean, forget it. I am joking in Germany, and I should let Mao Zedong come to the education revolution.
This is a wild, which has been long been. I am not a good student from small, I have become a bad boy. But I like to read the book from Xiao. When I was young, I didn't listen to my most severe punishment, I didn't let me read it. This is more uncomfortable than hitting me. Later, my parents were sent to the north of the west. The brothers were only alone in Beijing. No one can take me, food and clothing, all mix.
"No theme variation" is only a history of a history, there are many shortcomings from literature. Now I am not very satisfied now, I think some things I have written later are better, but it has not changed. Now my longer of the 180,000 words "The rest is you" has been done, the Positive and Publishing House is talking about it. This is a hard work of my more than ten years.
It is said that there is an example of the relationship between me and the so-called modernist writers. Director Mijia Mountain is directed by Wang Hao's novel. When the film ends, there is a dialogue that: I want to do such a person, why do you have to force me to become someone else? (大意) There is a friend to tell me, Wang Hao has not seen this in the novel, is it the guidance person from my "no theme variation"? More people say that in subverting the false writer team, I opened a head, I influence Wang Yuyun. I don't think so at all. Literature does not look at the seat, don't care about the impact of others, you have clearly express your own things that you want to express, just. All evaluations are all things, nothing to do with you. As for Wang Hao, I think he is a person in the history of contemporary literature, saying that it is not because I am his friend, but because he grew to the maximum understanding of our homocery, and his work is large, affected Wide, this is difficult for others. Xu Xing Xiao Chuan
In 1956, born in Beijing.
In 1967, the parents were "hair" to the field and began independent life. At first, due to being too small, I won't cook my me, my mother sent money to a small restaurant monthly, and he was eating three meals a day.
In 1975, the torrents of the jacket were added.
In 1977, he started writing.
In 1981, demobilization and half a year later went to the Quanji roast duck shop. That is in this half year, he created the novel "No theme variation".
In 1985, the vocal novel "No theme variation" was published by the most authoritative "People's Literature" magazine, causing strong repercussions, is seen as one of Chinese contemporary literature by tradition to modern landmarks.
In 1986, he left from Quanjude roast duck shop.
In 1989, he went to the University of West Berlin, Germany.
In 1990, he was invited by Burm, and stayed in Belwood and concentrated on rest and creation. He was invited to invited by the Soliren.
In 1992, he went to the University of Heidelberg, Germany.
In 1994, returned to China.
In 1995, Xu Xing was selected by the French "Observer" as one of the world's 240 outstanding novelists.
"Beijing Youth Daily" August 07, 2001
PS. It seems that I am a white fee. I just found a chapter in his interview, saying:
Lonely cloud: But look from the eyes of the outside, you are silent for a long time. You know that you don't know if you can't find your "no subject" on the Internet. Xu Xing: There is no online, people forget it, this is really not a grandson, let everyone look at my new things. I really think so.
That is empty or go to buy this book. I like this buddy.
Http://life.elong.com/yuedu/article/topic_17571.html
Lonely Cloud: Are you starting to write a novel in 1985? Xu Xing: After writing "no theme variation" in 1981, I have been put in a friend. Starting at the university, mainly in the Central Music Academy, Drama Academy, Film Academy. At that time, there was no way to publish such a novel. By 1985, I felt a bit change, I went to find a friend to be a novel manuscript. I gave me a period of time. I gave me some time. I will take it. Lonely Cloud: Is it a magazine or to send it? Xu Xing: Go itself, riding a bicycle. I know that there is a wonderful editorial department next to my roast duck shop, I went, I got there, I saw the old man, I saw the kind of knowledge, asked me to vote, I said yes. The novel, the old man said, that's not here, this is "Poem", you get a novel, I asked what, the old man said that the east is 16th, I will go, the novel is put there, there is not a few Heaven, people give me a letter, please talk about it, I will go again. At that time, it was quite excited, because I have been thinking about my NB, this is not, confirmed! Not a few days ... Lonely Cloud: Later? Xu Xing: Later, it became the so-called "writer". The roast duck shop is equal to giving me the final pass, I will leave. At this time, I am not "writer"? I only took advantage of my "writer" as a postgraduate class of Beijing Normal University and the Association Office, read graduate students. Lonely Cloud: From 1985 to 1989, you have been working in creation, as well as an investigation? Xu Xing: In 1986, he went out of the door. From Beijing, he went to Shenzhen, and he shackled on the bike in the past half. I went to Tibet in the second year, and things have not stopped, and I am "hungry mouse", "nothing in the road" is written in that period. But then I was annoyed, I found that this "writer" is in the past, it is too difficult. Everyone is called hard, and it is a stupid story, it seems to be a stupid game. This can be found in me later, "I am crazy". Later, I went out of the way ... Lonely Cloud: When did you basically don't create, or enter the silent period? Xu Xing: It has never been silent, in fact, it is nothing to do with this, it is not passionate, I have never contributed. Never put the initiative, my real thoughts are: I don't have anything else, people find the door to the door, I will give it, people don't, I don't have to force the power. Always until now. Lonely cloud: But look from the eyes of the outside, you are silent for a long time. You know that you don't know if you can't find your "no subject" on the Internet. Xu Xing: There is no online, people forget it, this is really not a grandson, let everyone look at my new things. I really think so. Lonely cloud: or some writers in the same time, maybe they are in their hearts: Xu Xing is abolished in literary creation. More even, maybe you will say that you don't want to be in the "career." Xu Xing: That belongs to them, they don't understand, I didn't fight with them, what to grab. To be honest, this should not be more comparative, but if it is, maybe my living method is worthy of their envy, of course, because I am not familiar with what you said. " . In addition to poor, I can live very well.
