But the leader is not washed - the writer, the editor talks "The past is not as smoke"
Author: Zhang Yihe Yuan Pei
Write edge and knot
Wang: In my near 20 years of editing career, there is no book, like this, the process of the whole brain, with the episode of the soul of the soul, the emotional intersection of the tears, sorrow and happiness Together, my body and mind are swayed, as if I have experienced a spiritual baptism. Lu Xun said that the water flowing from the water pipe is the blood from the blood vessel. I think this book, the word sentence is from the blood vessels. It can be said that this is full of blood and tears, "撄撄".
The world is vicissitudes, history is like a dream. For decades, Shi Liang, Sang'an, Zhang Bo, PAN Su, Kang Tong, Luo Yi Feng, Nie Yu, Zhou Ying, Luo Longji, of course, the authors of the authors, the mother Li Jianheng, these authors are familiar, have already entered Historical people, the authors are still unforgettable, and the pen is full of writing them, reflecting the scenery of the whole era, and can't read it.
Chapter: I wrote the motivation of these articles, such as "self-order", is for me in desperate, looking for the reasons and support for continuing survival, to save yourself to wither. There is also a far away - I have accepted my father's heart-hearted heart before jail. Specific situations, I will tell, if my conditions can be described.
Naming and narrative
Wang: Merzhi wrote a book called "Wun," "The past" is the word, why so that the three authors are so "love"? I am afraid the reason is that in their opinion, the past, the familiar characters smiled sad, sad, life, the wind, the wind, there is no discrimination, there is no discrimination, is a unforgettable, decision Can't forget. Lu Xun was suffering from the numbness of the Chinese, and forgetful. This writing and name itself have a disgusting meaning and effort.
From historical memory to historical writing, not only the sense of responsibility and mission, but also the unique way of historical narrative. In the chapter, the history is true, the history, the era, the history of the living, the age, the society is an indispensable scene and stage. Historical figures she portray, everyone has blood, and I want to come out. Because the author has a personalized dialogue and vivid details, the author will shape the character's image, reveal the soul of the characters, this book, even if it does not describe the appearance of the characters, it can make readers to read dialogue. And details, it is like witnessed those people who talk and act, which can be described as "such as immersive, see their own people."
Focus on the details, write a dramatic scene, and even read the feelings of the novel. In fact, this is precisely the excellent tradition of China's history. However, the author's inheritance of this excellent tradition, is not only narrative, writing skill level. "Historical Records" was called "the singers of history, no rhyme." Just like Guo Balance said that Lu Xun's so-called "surprise", mainly "Record", which is called "China", "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" " Bang Gu pointed out in "Han Shu Shu", "Since Liu Xiang Yang Xiong, Baths, all praises the material of good history, serve in goodwill, distinguish, nothing, ignorance," , Its incident, not be beautiful, not friendly, so-called record. "" The past is not as smoke "(hereinafter referred to as" past ") is not a" history ", the system is complete, but" not be beautiful " "The" Real Call "of" Not Help "is a pulse. Liu Zhiki said, "The history of history," "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "), Sincerity. Sproducts a historical person, dare to adhere to the book, dare to "record", which is rare, extremely valuable. Chapter 诒 and is committed to this, she has written to her own, not for the respect of the respect, nor is it for the pro-person, did not because they are my parents, it is their own relatives, and avoid their character, people, etc. The weakness, such as "The" Frank Gentleman "and" Small Australia "," the "Small Human", is the case. Memories: "The only" life
Chapter: About memory, I only want to explain such a situation: I have no friendship with the same window in 1957, there is no social interaction, there is no spiritual enjoyment, there is no difference between love. Then I was isolated, it was controlled, fighting, being sentenced, and lost his father, funeral, and funeral ... During decades, I only seek life in my heart. Why do you have inner life? That is memories, and only memories. Especially in prison, I rely on kept retrieving memory, get the soul's breath, soothing the heart. In the 1980s, I reintended to society, I started a record of memories. From the story of the prison to Luolongji, Shui, Zhang Bo, all written between 1980 and 1989. Some drafts are stored so far, the paper is crisp. What's more, those who have left me are so beautiful, I can't forget. And memories must include details, only know, is it a memory? I have also clearly remembered that the ten huge slogans hanging at the publication of the publication of the publication of the publication, and the first day after the sentence, the sky is seen outside the iron window, and the first Spring Festival in the labore, etc. .
King: Of course, if the author said in "self-order", "the past" is just "a piece of discoloration of the past", not "complete memoirs". This is the author's own historical writing. It is her personalized history. After the passing, through the vast smoke cloud, cross the historical time and space, re-investment, and narrative for historical figures and historical events. It not only reminds me of "Shi", "Historical Search", "Sword", "The Wheaters", "The Wheaters", "Review", "Review", "Remaining, Thought"; and let me think about it. Lu Xun's discussion on history, such as: "History (referring to the history of the official history - Wang Note), writing China's soul, indicating the future fate, just because the finishing is too thick, too nonsense, so it is not easy I checked the bottom. ... But if you see a wild history and miscellaneous, it can be easier, because they don't have to be too monopoli shelves ("Tomb, suddenly thinks four"). Nature, "past" book, wild history. It makes you feel pain, feel sad, feel desolate, tide rolling, long time. And Lu Xun said in his famous "illness after illness -" Shung Yu ", this is said," Yu Zhengzhen has seen a wild history, is a person who is filled with indignation. "The value of wild history is not Combo. Chapter: I am an absolute pessimist, I think the most is about death; the biggest happiness is to reunite with my parents. I have no achievements in this person, and there is no big ambition, I know that I have a few pounds, I don't understand the foreign language, and I will not pass the ancient text. As for the various techniques of modern writers, don't talk, I don't even understand. Then I said this age, learning is late. I am not a writer, I don't want to be a home. My friend saw something I wrote, praised myself, it is encouraged, I am afraid that I can't live alone.
Wang: Talking about memoirs, I also thought of the work of my favorite foreign writers, I can't mention, one is Russian writer Herzen's "past and thinking", one is the Austrian writer Zweig "Yesterday's World - a European Memory ". Both truly reproduce the past, becoming a powerful testimony of an era, and lifelikely depicts the portraits and individualities of many cultural celebrities with the era. Similar to the wonderful pieces of the novel, it can be seen everywhere in the book. It seems that strong literary colors is not only the characteristics of Chinese history, and there are similar absence of foreign writers. This kind of text, this historical narrative approach, not only "attract thinking", but also "increase the sense of people" (Lu Xun), has its own unique advantage.
Have a friend who has seen "past" said that the author's memory is really amazing, dozens of years ago, remember so clear! It is a simple incredible. Gong Zizhen "Hei Hai Yong" has a cloud: "The young people are too happy, the words do not have the words." Zhang Yu and early Hui, when I was a lot of interest, I showed a strong interest. She is young, and I have entered the world of adults, infecting my parents and their friends and anger, pain and helplessness. Many mentioned in the book, the home came to guests, she also liked to make a living room. Father sometimes training her. "The child does not listen to the talk of the adult!" So she quietly hid behind the glass separator of the living room, and sneaked. She said: "For me, listen to them, listen to reading, listening to reading." This is a little girl who happened many times after the glass is separated, leaving me a deep impression. This special life experience has written "past" for her decades, has become an indispensable preparation and accumulation, becoming a spiritual treasure. Zhang Yu and the memory are really amazing. At the end of the 1970s, she went to visit Nie Yu and remembered the two-year difficult period. When I saw Nie in the Moscow restaurant, he said twice. And interesting is that chapters and always say that they are not good. People's memory, about the choice, some things in mind, some are forgotten to clean. I don't know if the reader pays that the chapter and after returning to Beijing, the first night, with the mother, daughter, and three generations. Mother tells every sentence of father's death, she is "dead and remember, remember me die". I wrote the author's historical memory and history, regardless of value ideals, and distress cultural traditions, respect for traditional humanistic spirit.
About "aristocracy"
Chapter: Cultural things are extremely complex, and their own inherent logic and laws have developed. Tradition is not you want to rescue, you can rescue; the work is not your classic, it is a classic. Moreover, motives and effects are often contrary. Take the Chinese drama that I am familiar with, how is the policy of "innovation of the new", in the official multi-literary policy policy, this approach may be the most correct. Half a century has passed, no one wants to "innocence new" final results, it is withered, decline and destroy. For a simple example, Yuan Shihai will play four hundred, now famous Beijing opera performance artist, the play is only more than ten. Therefore, in culture, this person may not win ancient people, and now masterpiece may not exceed the previous people. I am reading Shen Ying. Her prose is simple and simple, feeling sincere, not glaring, and does not deliberately pursue artistic features. I can learn her, it is satisfied. May half learn to learn. Literary art belongs to the product of human spiritual activities, has mainstream, tributary, and countercurrent. In a history period, the mainstream is prevalent, the tribut is exhausted, and the countercurrent disappears. But no matter what kind of cultural flow veins, the spiritual value they contain will precipitate, accumulated. Even if it disappeared, the value of the value will eventually be replot.
Wang: A friend believes that regardless of the content of "past", or its text, there is a "aristocratic spirit". I agree with this view. Why have this spirit? Because the characters written by the author are almost all the famous intellectuals, cultural celebrities. Their appeal and failure, their satisfaction and sadness, their personality and suffering, through the author's history pen, painting color painting, vivid, hearty, making the whole book from the line to transpirating a high level, high-quality culture atmosphere. Like holding the principle of "unchanging should be changed", the Kang Tong of the Banguango is addicted to the cultural celebrity of the chess and calligraphy and painting. Their life experience, their life experience For today's readers, most are unheardful. They show the aristocracy and their cultural atmosphere, in our culture and text, it seems long. The author has a dignified and elegant writing, and it is extremely expressively showing the unique life and Zhuozi personality of the above characters. It is lifelike to portray their personality dignity, noble soul, profound knowledge and Elegant winds, greatly satisfied with the sense of interested as a strong desire and strong interest in understanding their people. For example, the author put Zhang Bo's obsession with traditional culture, and his spirituality of the old opera and his spirituality, the gentleness of his life, lightly and superflihood, writing a god, reader, also entered the characters The inner world, truly feel the personality dignity of his literary festival, like a Chinese traditional culture, such as weeping, and the surplus is endless. Interpretation of Zhang Bo, I'm afraid I understand the words of Zhang Bo: "The best, it is often the most stubborn."
We can see that the author is writing history and recalling the characters. It often has a multi-angle view, there is a transcendence and gas, not just written the characters and political entanglement conflicts, and more written people The character, the fate of characters, persons from the times, the complicated interactive interaction between character and fate, let you feel heavy, but no depression, rich and deep, and the charm is long.
About criticism
Chapter: About criticism. I have always believed that the biggest difference between various criticisms is to associate with ideology. The association of ideology and criticism is not a criticism representing a political view, but it is formed by a certain ideology atmosphere, criticizing the subject (ie critics) is also dominated by a certain social and cultural model. For example, a literary critician of Nordic, after reading "Susman's loneliness" is: a good wife. This makes me laugh, but this "crying, I can't" can't explain the problem - that is, the character of the work is not criticized by the critics. But their opinions are actually one of the various opinions that may be produced in their own cultural contexts. Therefore, in the face of an article, the people say that there is a routine, in line with the normal criticism. My people 's life is amused in criticism, very habit.
Wang: For the "past", I was printed in the bottom of Gong Yizhi, Yan Jia Yan, Mr. Sun Yutang, from their respective different perspectives, or overall macro, or in-depth and meticulously, the brilliant commentary, it is also possible to see the benevolence, and you can see yourself. Every reader reads this book, I am afraid I have my own feelings and understanding.
Chapter: A work is written, the author is nothing to do with it. The impulse, desire, purpose, success or failure, meaning and what they want to achieve are determined by the work itself. So, I oppose the writer to run out, talk about creative feelings and experience, and more feel that those who use others to discuss their move and scene, but also vulgar, even despicable.
