Going out, left, Shun Hui, walking 50 meters east, see what, wow, wow (not a frog), good smell tofu, I think it is the most beautiful thing.
Many people think what is beautiful, but different people have different deals to the United States. Here I simply talk about some things about beauty.
First, Hegel's aesthetic point of view:
In Hegel Philosophy. The concept of beauty is developed like this:
The universe life is the process of reflecting the absolute concept. Only in its entire space and the universe of its existence are the complete reflection of absolute concepts; the absolute concept is absolutely reflected in some things that are limited to space time. After the absolute concept is embodied, it is broken down into chains of each particular concept; while each particular concept is only fully reflected in the unlimited things or entities it is included, but must not be completely reflected in some individual entities. .
However, all spiritual activities are dominated from directly rising to indirect. Due to this rule, only the [absolute] concept of "understanding under indirect form) can fully understand the [absolute] concept of [absolutely] in the form of a direct form or an impression, so in the average person's mind, for space time The individual things restricted are completely matched with its concept, and it seems that a particular concept is completely in this matter, and the general concept is completely in this particular concept. This view of things is an IST ein schein, because a concept will never completely show the individual things; but under this illusion, it contains true, because some extent, general The concept is indeed in a particular concept, and this is to be determined in some extent on individual things. This thought that the concept is completely identical, itself contains real illness, is a DAS SCHONE.
The concept of beauty is developed in the popular aesthetic system. The following definitions have been defined by this basic view: US is the concept of limited appearance; beauty is the individual sensibility of the pure performance of the concept, so there is no feeling in the concept that is not ingenuity On other objects, and in individual sensibility objects, there is no such thing as a pure performance of the concept. From this regard, some objects are called DAS Bild.
In this way, the beauty is a complete match with the image, completely consistent.
The definition of the black slate may have a problem, and in the beginning of this century, it is criticized and replaced with Kant's aesthetic view.
There are two camps in Western Aesthetics before Kant, or firmly believe that beauty is the root of beauty, or emphasizes beauty. Kant proposes the idea of aesthetic judgment is a common origin of beauty and beauty, and will be able to understand the human subject's ability to understand the beauty and beauty. The major changes in this aesthetic thinking directly affect the steering of Western aesthetics in the twentieth century. This is three aspects: (1) Western aesthetics in the twentieth century have established their aesthetic system through criticism of Hague Objective, inheritance and Great Bud. Croati, Corin Wood put Kant as its own theoretical pioneer, regards the body emotions, imagine, intuitiveness to produce beautiful, beautiful, and establishes a full-minded modernist art, which has great influence in the twentieth century. Performanceist aesthetics. Hussel, Doufhaina has been revealed from the priori methodology of Kant, created the phenomenological approach of the study of the book, the thinking of thinking, the phenomenology of the beauty and beauty. Heidegger has again synthesized the phenomenological method and Kant's prior method, and established a method of presence oriversal aesthetics. Under the joint efforts of Sart, Plus, Yasbeers, formed a presence of aesthetic aesthetic thinking in the 20th century. (2) One of the integral tendencies of the aesthetic humanism under the influence of Kant is non-rationalism. The non-genialism in Western aesthetics in the twentieth century is a humanistic displacement that is relieved from Kant and Due to Kant. Kant regards the roots of beauty and beauty as aesthetic judgment, and the externalization of judgment is experienced, and its essence is the freedom of human. Free is not perceived, this is the ultracence as a free form. China's aesthetic development:
Wang Guowei and Liang Qichao opened two orientations in the modern modern transformation of the 20th century. The main contribution of Wang Guowei is: First, refer to the theoretical framework of Western modern aesthetics, established aesthetics as an independent status of a discipline; the second is the expression of the aesthetics, the expression, impression, and heavy system Transforming logic, intellectual and tense. After the "May 4th" new cultural movement, the aesthetics were included in the track of the enlightenment of modern ideological culture. The second transition occurs in the new period of reform and opening up, which is divided into three phases. The first stage is the beginning of the reform and opening up. The main task is to restore the aesthetic tradition of realism, break the dull and rigid situation; the second phase takes the end of the 1980s to the end of the end, and discusses the transformation of methodology and literary subjectivity. The theoretical circles rapidly drilled the theoretical system and method weapons of the Western theory for more than one century. In the third stage, in the 1990s, with the raging of industrial and commercial and tidal, the citizen's class entered the social center, the public culture expansion, practical, consumer ideology, growth, pursuit of sensive, fast food Peaceful cultural consumption patterns prevail. Therefore, the cultural theme of the 1990s is how to save the spirit under the negative effects of the market economy, which is the transcendence of the original aesthetic form from the ontology according to the on-the-orteological commitment.
The aesthetic community generally believes that China's 20th century aesthetics have three aesthetic boom in the beginning of the century, in the 1980s, these three aesthetics boom has created Zhu Guangqi's first-generation aesthetics, and Li Zei is the table Second-generation aesthetics, and the third generation of young anecdns that are thriving. At the same time, after 100 years of aesthetics, China's 20th century, through the introduction of Western aesthetics and the 190s four universities, since the 1980s, it has gradually formed three different theoretical orientations. That is: Aesthetics, practice aesthetics, and practice the aesthetics 2.
This is a definition of the United States that criticizes the Blackger: Beauty is life, anything, all we are in the same life as well as in this life, then beautiful; anything, anything to show life or We think of life, then it is beautiful. I advocate the idea of the best for beauty. Beauty is a feeling that is a feeling of human beings.
Often some people say what dog thinks that it is a beautiful thing, you are not a dog, how can you know?
Beauty is subjective, if you get from people, beauty doesn't exist; beauty is changing, today may think is beautiful, tomorrow has changed (Tang Dynasty's fertilizer, huh, hunts); beauty varies from person to person, Hitler Just starting to painter when painter, it is a regular building. Later, it is also required to ask people in the regular way. It is also aesthetic point of mind. This is also your own aesthetic point; beauty is sometimes a time location, there is The person who likes photography is always after using the film. After the film, he only saw the most beautiful scenery. He also said that this is to say this and others, so there is a visit, when he used the film, I said it. Good scenery, friends gave him a pre-paid film, and he took place to see the scenery, everything is different.
Beauty is a variety of features. Anything in the world, it is possible to be beautiful in different people. Beauty is not produced by biased, it is, the key is to see why it is.
I also come to the United States, the next interpretative definition, not very and very standardized, I think: US is a variant thinking of human individuals in a specific time and a specific environment.
Here are recommended books. If you want to study beauty, it is best to read the following books first, it is not very deep.
Li Zehou "Aesthetics" This book is a comprehensive and systematic discussion of Mr. Li Zejing. "The United States" from the macro bird's eye, China has thousands of years of art; "Huaxia Aesthetics" is summarized, and the contradictions involved in the long history of the Chinese traditional aesthetics of Confucian thinking are the contradictions and needs to solve; "Aesthetics four "From [Natural Humanities], it is proposed that literature and human fate related to the prospects [three books], see alone, guide readers into the brilliant aesthetic temple.
Zong Baihua "Aesthetic Walking" integrates the ideas and spirit of German classical philosophy and the poetic painting of Chinese classical art, constructing a unique way of observing art, even academics. German classical philosophy in the universe of the universe, the delative logic and Xuan Olympics, and the Chinese classical philosophy, the meaning of the molten wisdom and ease of art, and the life of the aura, the glow, forming a part Mr. Baihua's unique look of the spirit. In "Aesthetic Walking", we are not ugly to see: Shu Bourburn's thinking of the phenomenon of the world's body, Bergson's time consciousness of life and the world, and the philosophical time and space of Kangde Zong Baihua's idea and the idea of thinking; he integrates these theories and China's "Yi Chuan", Laozhuang, and Zen and other ideas and other integration, cast into one, starting from the specific works, and uses the precision and tailor. Crack the mystery of time and space in Chinese art, elucidated the exquisite, wonderful ideology and theory of artistic artistic conception. The academic level and research paradigm of "aesthetic walk" is present, in the modern Chinese aesthetics, not only before, no ancient people, but nowhere, a few sings! Perhaps, it will have a more real feeling in the 21st contribution to Chinese aesthetics.
