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Author: Witch 2003-4-30 16:27:50 blog China (Blogchina.com) original source: Netease Hong Kong Film Critics Society took two years of preparation, completion of the "classic 200-- best Chinese film two hundred" A book, while inviting members and contributors to choose a ten list, Taiwan's film reviews have been reported by Mr. Tianxiang. - Xiaocheng (Fei Mu, 1948) After the Second World War, the defeated manor, a shelf, a husband who suffered from lung disease, is looking for a little aunt, and a family servant, and Xiao Gu is also on this The style of the big brother produces admire, so I have a tension of "happiness and lying". Many people think this is a work that goes beyond the era. - A Fei Zheng Chuan (Wang Jiawei, 1990) "A Fei Zheng Chuan" can be said to be a representative of the personal style of Wang Jiawei. Decadence 60-year style, letting time like him, a group of idol superstars are relocated between them. Although the lovers of the lovers are fascinating, they are hurt by love, and the sorrow of the wound is more exciting. Wang Jiawei took out the most unique screen landscape of Hong Kong movies in the 1990s, and also rewritten the popularity and system of Hong Kong, which provided other possibilities. - Sorrowful City (Hou Xiaoxian, 1989) By the "Twenty-eighth Events", a local family's rise and fall, a Times transformation and personal fate is tightly smashed. Taiwan's epic. The whole film is in the multi-line narrative, many people's relationships, and there is no history of violence. - Road (Sun Yu, 1934) This film describes Japanese invasion China, a group of young road workers rushed to the military highway. Two heroine is extremely relatives in the film, and the prostitutes of male naked swimming, especially the prototype of the mother of Li Lili, close to the mother of the earth, and the male protagonist is very different in Chinese movie cream. It means that Sun Yu is in the era of being crossed by the future generation as a realistism, in fact, the ideal spirit of more romanticism. Especially the movie finally, the hero who was sacrificed by the enemy and the sacrifice, climbed to continue to build a road, super realistic image, and strongly enthusiastically showed the romantic nature of Sun Yu's pride, and became a recognized representative. - Heroes (Hu Jinlu, 1971) are divided into, the next two "heroes" can be said to be Hu Jintou enters a transition and milestone with the possible world with religious redemption. Although the film content is how he is the most good loyalty, how to escape and revenge under the traitor's official, but it is over the warning of the butcher to become a Buddha. In the film, Xu Feng played the female image, cold, and a flying tree, the amazing splicing scene of the enemy, is now called the classic demonstration of people. - Huang Land (Chen Kaige, 1984) During the fifth generation director, Chen Kaige's "yellow land" is considered to be the most representative work. At that time, he was borrowed to the Guangxi Technical Factory and took this room to make many symbols, for the traditional multi-criticized movie. The style is fresh and calm, not only has the earliest international attention, but also makes the fifth generation become an important voice of China's film. - God (Wu Yonggang, 1934) Wu Yonggang, this work was borrowed by a prostitute who had a book of learning her son, because the money was controlled by her disabilities, anger and murder, reflected in the 30-year intellectual for social injustice The original sins of people's livelihoods, so "God" is shaped as "goddess", it is a symbol of victims. Today, the most popular, the legendary actress of suicide, delicate and very active in the film. - Childhood Past (Hou Xiaoxian, 1985) This is the self-pass film of Hou Xiaoxian, but the film has splendid in Taiwan's history through his father, mother, his grandmother. It is very tipsy, from the history of Taiwan's history from the personal history.
