"Chongqing Forest"

Chongqing Forest Chong Qing Sen Lin (1994)

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Director: Kar Wai Wong Starring: Lin Qingxia brigitte lin Liang Chaowei Tony Leung Chiu WAI Wang Fei Fayeshiro Zhou Jialing Valerie Chow Chen Jinquan Guan Lina Huang Zhiming Released: 0000 00 months: Hong Kong White: Cantonese Mandarin English Color: Color Sound : STEREO Duration: 97 minutes Type: Drama Mystery Love Grading: Argentina: 13 Finland: K-12 Portugal: M / 12 Spain: 13 United Kingdom: 12 United States: PG-13

The most classic comment "Chungking Express" Author: Unknown so far, Wong Kar-wai completed a total of five of his own feature film, all movies directed by him, with which he led the work of the team, such as photography Christopher Doyle, Uncle Ben, splicing Tan Jiaming, Zhang Shuben, etc., created the characteristics of the movie theme, style and form, and Wang Jiawei, the most powerful one of the "style" of China and Hong Kong and Taiwan director. The movie begins in the script, Wang Jiawei, is good at writing the script, laying his strengths in the movie high. The general movie script is written in characters and dialogue, which constitutes the basic elements and story muscles of the drama development. Wang Jiawei shaped the character's ability. It is often one, and the role is often played, and it is specifically characterized. For example, "Chongqing Forest" continually muttered the infatuated police Jincheng Wu, calling everyone to chat with my girlfriend; I bought the girlfriend, but I don't know what my girlfriend really likes what is the police, and the ancient spirits. Wang Jingwen . Wang Jiawei is designed to design special situations. If the "Chongqing Forest" Liang Chaowei has repeatedly bought the late night and paired with the boss, and his special living habits and behaviors, and the canned Jincheng Wu. Through the habit of the characters and the reactions to the event, or the long monologue of the incident, it is a distinctive person who makes his movie can quickly grab the audience's psychology soon. The writings in the inner articles in the middle of the person may be in the case of the rolling of the big star, and the modification of the script is related to the modification of the script. It is necessary to make the conditions in the post-war, must have both shooting scenes. Zuo is connected to the white, so the more of the many stars, the more the number of narration after the completion of the film is more than the film. This can explain why his movie is often structurally composed of many small paragraphs. But it also proves that Wang Jiawei's creation is rich, and a film is completed from the opening, and the content is often different. Wang Jiawei's so-called white is often described as a spring tree in the village. It is because the two have the same fetish and the grammatical habit of Arab figures, such as: "From this point of start ..." ﹝ " "﹞," I am only 0.01 cm, after fifty-seven hours, I love this woman, "Chongqing Forest" ﹞ ﹞ 物 加 加 语 语 语 语 语 语Wait. One by one is the authors of the dialogue and film style. It is these feelings that are highly materialized, collage sampling in the final century. It can be seen from the modern re-packaging and irony in exaggerated popular literary novels. It can also be seen that Wang Jiawei is a creation. Consciousness. Although Wang Jiawei movie is often broken in the narrative structure, it is far from the narrative, but this does not affect the integrity of the structure, because in the fracture, it is a comparative conversion tension between paragraphs, or the theme of strengthening due to simulation. For example, in the "Chongqing Forest", it is a comparison of two different personality police, a lot of lingering, after being slammed by his girlfriend, encounter a female killer that can't have any relationship with people. Another spread is unhealthy, completely falling into the nets of the mutual cloth. In the encounter of the characteristics of the characters, there is a delayed, and there is also the absurdity of life. CHARACTER almost all the characters in Wang Jiawei are individuals, very few families, family appearance. The shortage of the family, the sense of personalism, emphasizes the uniformity of the film, which is illustrated by the non-rooted feeling of life and shortness of life, corresponding to Hong Kong in the 97th, free, social and 20th century The uneasiness of the end of the world, turning to the emotional focus, paranoid focuses, and endless anxiety for time. And the roles in Wang Jiawei movie, always with the fixed identity of killer, prostitute, police, and mi, and also have meaning. Killer and prostitute are excluded from the legacy industry, not to be able to stay in the legal profession.

Although the police and the Air Miss are the normal industries in the system, they have the traits of flow, alienation, and unesty. Wearing on the police uniforms became a patrol machine with a composite number and did not stop in the street alley. Miss Airlines is constantly migrating with a good makeup in the earth, and different land is only a different name. These in essence revealed the identity of ridiculousness and showing the basic view of Wang Jiawei lives in social levels. Although Wang Jiawei is designed in time and space processing and storyline, it is full of depression and pessimism, but Wang Jiawei's characters are often in an incredible act, people feel their love for themselves "live at this moment". Whether it is a fly in the 1960s, the knights in the short-space, or the fallen angel in the 1990s, although the future is awkward, but this minute is to feel wholehearted; this minute of air, this Minutes of the city, a minute of Mercedes-Benz, this minute of enthusiastic kiss ... is full of passion and thirst for life. Wang Jiawei himself said in an interview: "In fact, my characters in my film is very optimistic, so they last lived down." Only through this "only here, only now" persistence, we can feel "Live is optimistic", in order to explain the people of Wang Jiawei's people who hate extreme. FRAMING ◎ framing ﹝ ﹞ A. Angle 1. High Angle ﹝ ﹝ ﹝ ﹞ ﹞ 阿 阿 ﹞ ﹞ 着 着 可 罐 罐 罐 罐 罐 罐 罐 罐 罐 可 罐 可 罐 罐 罐 罐 可 乐 可 乐 乐 乐 乐 乐 可 乐 乐 可 可 可We can say that the lens is taken by the window. In this way, Awu's dislocation is undoubtedly. In other words, he can see it for Amei. 2. Low Angle ﹝ ﹝ ﹞ ﹞ ﹞ 镜 镜 第一 事 ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ ﹞ 上 上 ﹞ 上 上Such a short elevation lens has brought the coincidence of time and space. 3. Canted ﹝ ﹝ ﹞ ﹞ ﹞,, 给.... 是.. 给 给. 给 给 给 给 给 给 给 给 给 给 给. 给 给... 给.... Such tilting brings a lot of significance, one side is the life of Awu's own life, and is lightly looked at it, and it is empty with him. This makes his position above the top of the inclination. On the other hand, there is a more impunity that he is talking about another talkant. B. Distance 1. Close-Up ﹝ ﹝ ﹝ Time is important for Awu and female killer in the first story. It is important to remind the audience "Time" in the film in the film. 2. EXTREMELY Close-Up ﹝ 大 特 写 ﹞ In "Chongqing Forest", the close-up of time has a big close-up on May 1. With the aforementioned close-up month, day, minute, second, big close-up only. Since May 1 is the expiration date, the urgency of the short-write display time is particularly used. C. Mobile frame 1. Tilt ﹝ ﹝ ﹞ ﹞ 影 影 影 机 机 机 机 机 中心 中心 中心 中心 摄2. Panorama ﹝ ﹝ ﹞ ﹞ 摄 摄 机 摄 机 机 机 机 机 中心 中心 中心The above two photography skills, the most obvious is that when Lin Qingxia took a group of Indians, when they purchased items, the Indians took the camera to take a photographer, and the lens was shaking around. Such an effect suggests that Lin Qingxia may bury the instability of the task, that is, she may fail. 3. Hand-held Camera ﹝ Portable photography ﹞ Following Shot ﹝ 拍 拍 ﹞ This is the skill of Wang Jiawei in the Chongqing forest. The feature is that the picture is not smooth, and the swing is jumped. It is provided with the function of the subjective lens, let us follow the protagonist, observe her every move, and ignore other people next to him.

In other words, we are very close to the protagonist, but the distance from other people is far away, this also provides the effect of the crowd; with millions of people, they have not found them. 4. Freeze ﹝ ﹞ ﹞ 阿 阿 与 王 王 与, 面, 面, 面 面 面 停 面 面 面 停 停 停 停Such stops naturally show a sense in this film. The first is that it represents the joint point of the two stories, so that Awu has enough time to have a white, bring out the story of the next paragraph. On the other hand, it enhances their intersections. In addition, Wang Jiawei is unwilling to be limited to the style of time limit. This piece of Wang Jiawei uses differently in the form of a general movie, making it like a music video tape MTV-like effect and feel. In the second story, Affe turned to 633, when she was cleaned, she did not have a white white, and she clicked it as if she can send a song that she can represent her mood. Starting from the song, we look at the lens to see a series of behaviors and actions. This allows us to easily notice that the protagonist itself is ignored, but it is difficult for us to go deep into the inner world of the protagonist, nor to discuss past, and it is only very surface and short things, such alienation can be said It is a standard civilization product. Alien and loneliness is one of the themes discussed by Chongqing Forest. Scene Scheduling ◎ Mise-En-Scene ﹝ Scene Scheduling Scene Scheduling Hands Many elements: such as scenes, lights, clothing, and limb movements. Through the scene scheduling, we can find that the film of "Chongqing Forest" is filled with the air of the city and conveys the general existence of "loneliness" in the crowd. This film is combined by almost different stories of characters. It seems that there is no association on the surface. In fact they are absolutely not two fully independent individuals, and there is some relationship between each other. If you carefully observe, you can find the three main characters of the second half of the story, Wang Fei, Zhou Jialing once appeared in the forefront story. These three pictures should be deliberately arranged, and the time of appearance is very short, and the characters are not obvious. If they cut it, they should not affect the development of the previous story. However, why do you want to arrange this? "You have a chance every day, you can bother with everyone, you may not know what they know, but they will become your confidant or friends in the future." This is the sentence of Jincheng Wu's beginning, but This arrangement is just in response to this sentence. These characters have appeared in the same time and space, but they don't meet each other; just like we have rushed to people every day, but it is such a way to hurry and ignore others. That is to say, everyone is too focused on their own, so that it is unable to communicate with another life, which is a helpless life mode in urban life. Fast food restaurants, convenient stores are the scenes that have appeared in two stories. It shows the characteristics of "fast food culture" in urban life. This place is to be "fast", and therefore there is a lot of people to achieve emotions and speech between people. This has a strong comparison with the story of the traditional market. At the very least, the market is bargaining with the boss, or just want the root onion to draw a distance from each other. However, there is almost no such opportunity to make this convenience store. Life in the city, everyone is very rushing, who will pay attention to the one movement of other people? Jin Chengwu in the film likes to seek comfort by calling; Liang Chaowei habitually talks about the furnishings in the house. The common point between them is: loneliness, loneliness, lost. This is a common problem of modern life, and it will have a chance to go to these issues in this environment. Once encountered, we must face instead of escape, although the way is different, it is like Jincheng Wu chose to call, and Liang Chaowei uses a dialogue, but its purpose is the same: that is, through these moves to get emotions I'm expressing. The spatial treatment reacts the narrow-thickened urban people's life experience: closed but flow, can not have long-awaited ﹝ such as bars, hotels, airports, odods, easy to be invaded, such as Wang Fei, Liang Chaowei's room.

And Liang Chaowei's room window is actually a person coming to the elevator, but also reflects the experience of exclusive, infringement, and uneasy, directly causing the insecurity, and wants to escape, eager for a stability, private , Only belong to your own space. In addition, a large number of night scenes, indoor views, people come, not only is gloomy and gray, is in line with the characteristics of the day, non-humanized. In the characteristics commonred from these places, the characteristics of urban life have no legacy. And it is necessary to convey only Hong Kong this city, in fact, there will be these conditions in all parts of the world are called "urban". The distance between people and people is getting more and more indifferent, and it is also the mentality of "Self-sweeping the door", which is very different from the type of agricultural society. Sadness is that we can't seem to turn back, can only be accepted as a fact, helplessly live without changes. Music ◎ Music ﹝ Music ﹞ "Repeated" is Wang Jiawei as an excellent Chinese film author and other authors. Whether it is character, location, line, or music, there will be a degree of repeated or overlap. From "Mong Kok Carmen", "Chongqing Forest" to "Fallen Angel" and even new "Spring Gran Special Eliminals" to a person, a location is used to use the same specific music, namely the characteristics of theme music. Of course, this discussion focuses only on "Chongqing Forest" movie. The two central characters in the first half of the "Chongqing Forest" are Lin Qingxia and Jinchengwu. The theme music of Jinchengwu is not obvious; the image of the technology music ﹝ Sensous Forest ﹞ and Lin Qingxia also opened the film for the film, and since this music became Lin Qingxia's music, accompanied by her hasty, run through one An enclosed space. In addition, through the skill of the camera, the match with the music rhythm, the identity of Lin Qingxia's killer is quite complicated: mysterious, suspense, cold, fascinating. Dennis Brown's ﹝ Things in Life is the theme music in which a powerful spleen smell sign is, and weides the body image of the female wine to protect the sexual temptation, and her auditory cultivation with her boss. Brown's song is short-lived, and the chop of men and women in the written film will pick up and urgently, strengthen the excitement of the two people's erotic, especially the snakes of the girl, via the catalysis of music, more vivid. The latter half of the music is a large number of rock or pop songs as a narious motion music. The most important of these is Mo California Dreaming, Mamas and Papas. In addition to being used as the theme music of Faye Wong, this song has also constituted an important narrative development bonding and conversion element. ﹝ California Dreaming is presented in the manner of music in the whole story. From the beginning, it will understand the music preferences and dreams of Faye Wong. When it ended the California sleepwalk in Hong Kong, when flying to the field, "California Dream Tour" became a new dream of Liang Chaowei, looking forward to the return of Faye, completed the end of California. Sure enough, the familiar songs will lead Wang Fei back to the old land and meet with Liang. Dinah Washington's ﹝ What A DIFCERENCE A Day Makes Drawing Liang Chaowei and Zhou Jialing's brief gathering. Washington maid loses the singular singing chamber, Zhou Jialing, the predecessor, so that the hiking lust is more difficult. The same music also went to Midnight Express to see the paragraph of Faye Wong before. Just this time lacked a half-naked female body to refer to, and thus less calls, more than knowing the barters and joy. Take a happiness in Chongqing Forest - Alternative Rating of "Chongqing Forest" to White Art

Author: Bluegrass1978 Source: Netease Zhou Dawn Message Board Published: 2004-6-26 Popularity Index: 1516 Category: Gomovie Talk: Simply:

Each movie is likely to be a classic. Before he became a classic, you may not know about him, maybe one day you will become his hiking, or is simple. I am a fairy, this is the first Wang Jiawei, the first Wang Jiawei I have seen, number 001. Just like Awu likes to eat, the pineapple can head, I like to see the film is my hobby. Everyone has a depressed time, whenever I am bored, I will open the DVD machine, stuff it into the CD, waiting for a story that is about to be staged. I don't know when I become a very sensitive person. Every time I look at the film, I will always prepare a large box of paper towels. The comedians are no exception. You never know when you will be laughed. Touch, when you will follow the plot. Sometimes, I will tell the dirty film. "How do you don't love it?" "I have said, I have said something like this, you will always ruin myself one day." "You see, the movie machine has had opinions on you." "" Come, I will help you rub. "" Don't be like this, you will go. "Then I opened the DVD warehouse. When I was bored, I will open the phone number book, I will think about a number, turn it back to the page, and dialed a number I don't know. "Hey, I am Amin." "Don't know, go wrong?" "No, Amin, you think again." "Neuropathy!" "Hey, feed, feed ----" "---- ---- all" "Hey, I am Amin." "Who?" "Aming, have you seen" Chongqing Forest "?" "People say that I am very like Awu. "" Neurological! Warning you don't harass me again, or I am alarm! "At this time, I will be very happy, I haven't I understand why?" Sometimes I often feel that the house is monitoring me, I will hear his sigh at 12:00 every day. It is now eleven. I opened a can of beer, and I still have a quarter. I didn't hear his sigh this time. "What is your feelings?" "Don't bother in your heart?" "Everyone is unhappy?" "" Come, want to open. "" You see, beer is happy. " He laughed the mouth of the mouth, "So I continued to watch" Chongqing Forest ", Wang Fen did not go to" Calia ", and the boss handed a letter to Liang Chaowei. That time I premonged to Cancel. The envelope is a boarding certificate, and time is a year later, I have never seen it in the place. Because the shadow machine has appeared Massek. "I have test, no." "I know that you have always had opinions to me." "Don't use this to me?" "Some things, women need to do it, do you understand?" "Just like this , You strike, what do you mean? "" "Let me not believe me?" "There is a big pile of small MMs in Gome," "" "" "" "" "" "" "" "" "" "" "" "" Try. "Just like Liang Chaowei never know the destination of Faye Wong, I will never know the" Chongqing Forest "ending. Because, that night is dead. I know that I have lost an important woman in my life. I didn't find those small mm in Gome. Some women are never replaced. I am very sad, not only I will never see the end of "Chongqing Forest". At this time, the doorbell rang. "Sir, this is your takeaway" "I didn't call it?" "" "" "" "" "" "" "" "" "" "" "" "" "" I don't Know, who knows that I like to eat fried fish fries. Anyway, I am also hungry. I open the box.