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Video parameter film name: A Fei Zheng Chuan film classification: story film color: color sound: Audio film Origin: China Hong Kong Production Co., Ltd .: Hong Kong Shaduo Production Company Yindies: 1990 Video Length: 100 minutes Film Planner Director Wang Jiawei starring Zhang Manyu Zhang Guorong, Liu Dehua, Liu Jialing, Zhang Xueyou
The story of the drama is a background in the early 1960s, and the refraction is the tired soul of the 1990s. A Fei (Zhang Guorong) is Shanghai immigrants. He has never seen a maternal mother. He has been numerous from raising mother. Therefore, he has grown cold and ruthlessly every woman encountered in life. He is unruly, and the ticket seller Su Lizhen (Zhang Mangyu) and the dance female Mimi (Liu Jialing) cohabited, but later abandoned them. AF did not find a mother, he only went to Nanyang for this. I have been secretly in love with Su Lizhen's police (Andy Lau), after the determination of Su Lizhen and A Fei, decided to change the carriage. In the Philippines, he saw A Fei again. At this time, A Fei has been seriously injured in a Europe. He is guarded on the train returning to the country.
Days of Being Wild, I heard someone saying that there is no feet in the world. It can only fly all the time, flying is sleeping in the wind, this bird can only be opened once, then this time is It time it died. One minute before April 16, 1960, you and I will remember this minute because you will remember this minute. From now on, we are a one-minute friend, this is a fact, you can't change it, because it has passed. I don't know if he remembers this minute because I have been remembering this person ... "A Fei Zheng Chuan" For me, maybe not favorite, but it is absolutely impression Profound. Because this is the film I am looking at Wang Jiawei. I am also very clear to remember the feeling of the time --- a fog! ! I wanted to be funny. At that time, I really saw it again, and I got a little clue, but I liked his movie. Ha ha ~~~~ How is this situation like drug users? ^ _ ^ No wonder someone commented that Wang Jiawei's film is a poison. For Wang Jiawei, this is undoubtedly his most important film, which is this film, established his unique style, and has established his position in the movie. Maybe, there is no Wang Jiawei without this film.
The English translation of Wang Jiawei movie is very beautiful, "A Fei Zheng Chuan" is translated as "Days of Being Wild". For young people who seem to wild, it is only their lifestyle, and it is a purpose. In order to find them, they have to drift, find love, family and friendship is the true meaning of "Being". In the film, there is a monologue: "One minute ago, 3 pm on April 16, 1963, this is the fact that you can't negate, because it has passed, the past is that you can't deny." A Fei Zhang Guorong is This minute's rogue and persistent into the dream and emotion of the female clerk Zhang Manyu. This minute breathing, this minute city, makes people love and cannot resist. In December 1990, "A Fei Zheng Chuan" is released in Hong Kong. Because there is a "Mong Kok Carmen", because there is an unprecedented big brand, because the monitoring of Deng Guangrong is promoted, "A Fei Zheng Chuan" is in the Christmas section, the two collars are simultaneously opened, and Zhou Xingchi's "gambling", There is no difference between the momentum. As a result, "A Fei Zheng Chuan" is the defeat of the box office, and the sequel to the original plan to start will not be a mystery, which has made Liang Chaowei's one-minute appearance shot. As a result, "A Fei Zheng Chuan" got the top 10 Hong Kong Movie Golden Image Award Best Video, Best Director, Best Activity, Best Photography, Best Art Guide Five Awards, Wang Jiawei's reputation, the film of Zhang Yang The style makes more people to see the possibility of self-expression, which affects the same period and later movie workers. The film explores the subtle relationship between the time and fate in the fate of the 1960s, and the meaning is far-reaching, and there is no trace. Zhang Guorong's performance charm, photography elegance (forget Zhang Guorong turning around), the jumper mirror), the art is more successful to create a background of the end of the city, the legend of "Footless" and "a minute friend" It became the first time in Wangjiawei movie was widely been popular. In any case, "A Fei Zheng Chuan" has become a classic. "A Fei Zheng Chuan" Days of Being Wild (1990) Director: Wang Jiawei Screenplay: Wang Jiawei Photography: Du Kefeng Art: Zhang Shuping starring Zhang Guolong Zhang Men Yu Liu Dehua Liu Jialing Zhang Xueyou Liang Chaowei
A Fei Zhengchuan's past life - Zhang Guorong and Liang Chaowei? Source: Inworld "A Fei Zheng Chuan" Liang Chaowei's final debut is symbolic, the bird who is not enough to find a stop in Liang Chaowei. In the 1960s, Affei (or Zhang Guorong), the graceful and undead aristocrats yearning to the Liang Chaowei here became a decentralized decadence. A Fei is no longer a distant mother, so the soil is inexplicably, no longer in the balcony to be intoxicated, no longer attracting indifferent to protect his bottom line. A Feixing is ready to go, for the upcoming night, the night is not happy, although it is meticulously played on the head, although carefully in the suit pocket, you can hear the whistle of his dark And sneak, this is a civilian night night, and there is no romantic nostalgic emotions and returning to the hometown. It is unreasoned that this is not dead, and he is happy to embrace this night. The Affei (Liang Chaowei) after the 1960s will not be as good as Zhang Guorong, the mirror is self-pity, give Zhang Guorong design actions, must let him show the appearance of the enchantment, and the slight breath of sweetness is - A Fei in the 1960s, in our imagination, it is not the same, a little bit of sadness, a little, a little bit of a little, like Beatles, clearing the sound of the water, a photo of the water, a red cloth The sky is full of your nostalgic emotions in Huanghuang bright. In the 1960s, it was a symbol. It is the revolutionary passion and the final return of the romanticism. It is the last retreat of the world. In the western road of the United States, the poisonous drugs and tobacco, ending in the south jungle of the wet poisonous spread. Although the Affei, Hong Kong, although there is no chance to experience history, he can still breathe the sea breeze from the Pacific Ocean, you can walk away, you can deny the head of the aristocratic blood to refuse the citizen culture. There is really no such thing as a nobleman and revolution in this dictionary. If Zhang Guorong is a fat powder behind the gorgeous big, then Liang Chaowei is sad and not hurt, is a sexy, a touch of smoke and a clean soap. Liang Chaowei didn't have to sway, he only needed the shadow of the white shirt, standing the corner, and then smoked the air in his mouth, you can smoke the air into his taste. Liang Chaowei self, but not quiet. There is no arrogance of the nobles in his blood. You know that he is so long. He is not written on his face like Zhang Guorong. His civilian identity is as clear as his white shirt. You can feel that he is a bit depressed, but it is hard to figure out what he is depressed. Liang Chaowei's decadent is unconscious. When he is inserted inside the sofa, your heart is also working down. When he uses his eyes, you can see the lonely and desolate in his eyes - "life is elsewhere "The free and evil spirits, especially let you feel, but you know that he is just a free, although it is unable to go, it is, it is in Cao Yingxin in the Han. Liang Chaowei is a person in the real state. What is the state, the state is that you take your own body and your own discolity and gesture. The person in the state is really impurities. They look at the whole world event and time with color monogram, so the world's world does not have time and incident, and his world is a world that has been smashed all incidents and time. The people in the state are combined with a goddess.
Just like Liang Chaowei in "dark flowers", when I was driving, I was looking for killers in Macau Street. I took the right hand of the good wine bottle, I took a short, I, I haven't need to smash anything. What ultimately 自己 自己 自己 自己 自己 他 状态 自己 状态 状态Liang Chaowei is the flying knife in the hands of Li Shuhuan, never seen it. However, the rivers and lakes know that Xiao Li Feidao's knife is more killed than the sword of A Fei. Zhang Guorong is the long sword in Affei. It is not touching, watching him is like watching the stage play, you know his sincerity but you know his distant and equipment, he loves the kind of dust. Speed - Refused people and others. So Liang Chaowei is us, Zhang Guorong is them. In their world, Zhang Guorong is always just the role on the stage, in the world, denier, net, end, and ugly. Wang Jiawei did not shoot A Fei Zhengzheng, Liang Chaowei finally came to the end of A Fei Zheng, in fact, Wang Jiawei did not need to take sequel, because of the continued A Fei lived in this world, because our world is A Fei Zheng Convergence the world. A Fei Zheng Chuan --- a blue leaves of the air
A blue leaves, carefree, enjoy the happiness of the young, until one day he learned that his life came from the earth, he began to become a leisure, in the storm night, he broke with the trunk Contact, no hestrus, the genus he thinks, when he is hugging with the mother, he is ending for the life of the leaves. This is A Fei Zheng Chuan. It gives people a feeling If you read more than 20 minutes, if you chew wax, I don't know where you are named, but it is refused to look down; or it is a completely fell in love with it. So in the box office, it is born in Hong Kong, almost all superstars are still defeated, in art It is a banner of the epoch of Huadian World. From then on, there is a virtue, no root art, gradually go to mature, gradually a big trip. I think this is Wang Jiawei, in addition to Mong Kok Carmen, the easiest is the simplest and most complete work, this is It has always been more valuable in the Wang's products that have been branched and bizarre. At the same time, it is often seen in the movie, and there is a slogan of those swayed and non-autonomous. It has shown a game between mass interest and art independence. And the gesture of the game. The film often appears to experience extreme, neurological, paranoid murderous description and attention to the individual, and many times have a long dance (is it a kind of narcissism?); A Fei's weird Show love (difficult to be a romantic?); The ticket sellers and posthers are fearful to the love of the teeth (Is it a kind of courage and self-closing?). Smart film lies in it to frank the soul, It is proud of you to leave enough thinking space for you, and A Fei is not a pass. Maybe it is too large to give me the space, except for the survival of the urban people, I even think that the King's Sweet lens is in metaphor Hong Kong, the process of finding my mother is the process of returning; shaking the lens means anxiety, confusion, confusion in this process; if there is no relationship between the roles of the film, if there is no relationship, if there is a relationship between Hong Kong and the mainland, if it is, Relationship. For each young urban person, I am afraid I have experienced such a stage. At the same time without stopping your youth, try to grasp anything but there is no time. I love << 阿 正 正 >> I am willing to become an incell, although I only have to land once when I die, but at this time, I have been free of flying in the air!
