The front time suddenly remembered Yanni. Probably I am lonely, or Yanni is low-key in the Chinese people, so when I remember this name, I found that he had already slept in my memory for a long time.
I remember that YanNi was first in 1997 when he was first college. At that time, a Live Concert in the Forbidden City left a very deep impression. After a few months, I will carry the bags and leave the familiar hometown and come to this strange city.
Every song cannot be said that Yanni is a classic, but only the first one, I have made me very like it.
Generally speaking, New Age Music should be there is not too strong rhythm, such as Enya's music, and Bandri's music, there is a kind of empty feeling like Lin Xianjing. When you wake up from intoxication, it is often like it A dream, still can't remember every note and melody. I want to, the so-called magic of the sound of the sound of the sound is here.
However, I thought Yanni's music is an exception. In many albums, there is no lack of rhythm and clear melody, and some classics are often used by today's media as a Background Music. Because it is mainly based on electro-sound (I think, electric sounds have appeared in the form of rhythm in many times), so it is not surprising. Such music is always a feeling of exciting: When the song is to the climax, every cell in the body is jumping, and every blood vessel is boiling. And, this emotion is paralyzed, and it has not given it to the sense of suppression and weight, and the opposite is to make people feel relaxed.
A very shocking, magnificent and huge integration of the Live At the Acropolis album, or a style of Solo, as well as Yanni himself, even if the number of times It will still be infected even if it has never been in its own way.
Music is an incredibly Direct Language. IT byPasses Language and Logic, and Speaks Directly to your Soul. - Yanni
