Japanese design discussion
Japan's design level is a unique charm in the world. Whether it is in the plane or in industrial design is the leader of the whole world.
Japan's art may be very simple, it may be complicated. It is both serious and grotes. It has a dynamic abstract side, which is a realistic spirit. This is the East and West blending, from Japan's design works seem to have seen a quiet, The realm of the virtual, and the empties have deeply feel an abstraction of an east way.
Japanese people are big and national, big and northern people are a nation with a very strong sense of consciousness.
Nordic thinks that design is part of their lives, and Americans are a tool for making money, and Japanese believes that design is a means of national survival. Since Japan is an island country, natural resources are relatively poor, and export electrical appliances have become an important source of economic sources. At this time, the advantages and disadvantages of the design are directly related to the economic lifeline of the country, so that the Japanese design is concerned about the government. Japan's design began to start in the 1950s, making your own design very powerful with its unique national character. The Japanese is the best student in the world, and they can have extensive learning for foreign beneficial knowledge and integrate through and eventually become themselves. At the same time, the group spirit of the Japanese nation is very strong, so that the strength of the company is easier to completely concentrate. There are two factors in Japan's traditional factors that make it designed: one is a small and simple and simple style, and the other is in life that they have formed a modulus system with tatami-based standards, which makes them soon accept Analogy concept introduced from Germany. The space is small to make the Japanese nation like miniaturization, standardization, multi-functional products, which is just in line with the needs of the international market, causing Japanese electrical products to guide the world trend and sweep the trend of the world market.
For example, they increase the hoop exaggerated outside the wooden barrel, so that it is both a functional component and a decorative member, called "decorative use structural components". The relationship between the shape and individuality of Nordic, Fuji-made furniture has become a tricky problem with designers in various countries.
Another example, internationalist products can be produced in batches, and the price is low, and it is suitable for the needs of the people. Only it sacrifies the nationality, local, personality, and pursues commonality during the design process. Now is a transitional phase of industrialization to information transformation. From Long-term interests, the product must have personality to have a place in the fierce market competition. In the design, from the actual situation of the state, the region, the national aesthetic emotions are combined with modern designs, forming a unique design system, a development trend of design. In this regard, the Japanese did some useful exploration.
At the same time, Japan's industrial design is first developed. First, Japan's industrial design community is very payable, and the entire design community is closely linked to everything. Most large companies (large enterprises account for about 5% of all companies in Japan) have huge product development departments to invest a lot of money in industrial design. Further, the development of Japanese design and society is closely fitted. JIDA's research direction is close to the national situation, and the changes in social life can be immediately attached to the designer and form an explored topics, form theory, and the foothold is The characteristics of their own national society, look at the needs of the world, rather than human clouds, so that they can design a good product that truly meets the needs of their people, and there is a good product that can face the world.
Japan is also a unique charm on the plane.
Sato shaking is the extension of the feet in Japanese culture. After the old generation of the old generation of the old generation, the old generation of plane designers are designed to design the stage. William HEAS said in the "American Analysis": "The best color beauty relies on diversity, correct and smart unity." Sato's color can be said to have this quality, resulting in separation and Tension, with dramatic. Sign in balance in the relationship between color, body and light three, neither in the Western classical light irradiation method, nor is it almost ripped into the oriental tradition, only to seek color and volume expression, but Decorative color, deformed body, and computes have been integrated in color granulation and impressionism. In the faint approximately clear shape, the shape, weakened bright and relatively strengthened colors constitute the basic characteristics of Sato, and the three integrated one, natural harmony, and opened a fusion East Western New World. Spiritual, he is the root of Japanese traditional empty virtual, with Japan's clear color of the Qing Dynasty, pursuing the beautiful and glamorous emotional world, and the creation style is abstract On the one hand, inheriting the beauty of the dynasty literature in Japan, with a cold feeling. In many flat design in Japan, you will feel like snowflakes. There is no violent sense of violence in Western design works in the Times, there is no conflict and climax, there is no grassy wild, mostly meticulous, calm lyrics, with crypt brush strokes, peaceful look, coldly depicting a dream and reality Unknown world.
Japanese designers are good at combination with their own cultures. There are many jumped places in many design, like a short poem in Japan, grammar, phrace, rhythm condensed, in the blank place without pen It will feel very charm. That is the world of pure Japan, pure sensibility. This kind of art world that transcends the rationality is undoubtedly directly inherited the spirit of the dynasty literature. The language, rhythm, and designer used by the designer, should be consistent, and Sato is no exception. His work is made of pure Japanese syntax rhythm. There is no such thing as the hard-related translation of the text, the western design grammar is deep.
Japan's flat design development is also unfunction with Japan's economy.
Japan in the 1970s, industrialized high-speed development, enabling a large number of new materials, material characteristics of the material, have meaningful in art shape, and the material characteristics of the material make the corresponding techniques and techniques. Printing technology starts steering from the edition, making the gradient of the micro-color order become possible, Sato is shaken, "new music media", is generated at this time.
Local cultures in Japan claim to be a big and nation are actually spread from China. Why is Chinese contemporary designs still not as good as Japan? This is indeed a question worthy of thought.
The Japanese culture is directly affected by China in the early years, and the sentence can also be said to be another evolutionary form of Chinese ancient poetry. The poetry is first heavy, there is a loud and tone, the sound is short, complement each other, form a rhythm, make the language have a spirit, the rhythm has direct appeal and persuasion, if the whole sentence is full of sound or all the sound, rhythm It is chaotic. If the rhythm of singling in the Chinese Peking Opera Performance, Wu Sheng, which will even fall, and the design performance has such a danger.
Traditional Chinese painters regard this blank as a basis for people, China's philosophy is a strong change of 10,000 things. Whenever I look for this kind of assembly point, I saw Japan's design works, especially kind, I feel that I have found it, I have a deep rational sensibility. Ancient Japan is natural worship. A thousand years ago, cultural reference includes Buddhism, Chinese characters written system and the art and architecture of China Tang Dynasty.
What is China's local culture? It is a cultural culture of Confucianism, five thousand years of feudal culture, these cultures have been visually visually express, such as national paintings, calligraphy, easy to culture, Zen, five lines, etc. The folk has paper-cuts, mud plastic, and wood-based paintings, this is a culture. Hong Kong's famous designer Yan Qiang is successful, not only because he has a first-class design consciousness and mind, but also because he has added many of the Chinese and Chinese, such as Chinese ancient coins, ink culture, Confucian culture. He is very smart and knows how to add Chinese cultural cultural cultures in the immersion for five thousand years to present some modern flavoring agents. He across the steps of the first-class plane design master in this step.
Sato shaking design has a clear national style. He not only inherited the quiet, long, elegant, soft national style in Japanese culture, but also pushed this style to perfect and enrichment, refined the most essential spiritual connotation in Japanese culture. The nation is the world, and Sato shaking a design work is based on national style and has been recognized by the international design. Dolcn.com
In the native culture, Mr. Shen Hapeng appreciates Sato shakes, and his posters are like Japanese poetry "俳俳", full of ideas. Shen Haopeng said, in the Western design world, because Japan's achievements have formed the concept of Japan to some extent, I don't know Japanese culture from China. China's designers face more challenges.
Futian prosperity is a graphic designer of Japanese contemporary genius. He always abandoned new map, and systematically puts various ideas and innovations. Each batch of work reflects his subjective imagination of leaps and his contributes to control and create a work. He transmitted a rational order and continuity in the seemingly ridiculous visual image. Futian has a deep understanding of Japanese tradition and mastering modern perceived psychology. His works are tightly theme, fantasy, fascinating, and is extremely simple, with a sense of playful sense of humor, and is good at creating a weird taste.
We are to learn these masters to interpret their design.
Modern design is increasingly identified, localization is recognized by local culture, rather than identifying symbols or graphics. Exploring the connotation of local culture, identify the collision points of traditional culture and their own personality, forming their own design style, this is the essence of design localization. The success of the Japanese design cannot be said to be the success of the Oriental concept throughout the design work. Although the cultural characteristics of the University and the nation include the legacy of the Chinese civilization, and in the design works of people, the "return" sex of the Oriental culture is much more translucent than China's designers. Japan Designed that Mr. Futian Pruno has pointed out: "There is no more than the design." From this point of view, it is not difficult to see his design concept and Chinese traditional aesthetic "close benefits" have a common fit point.
Japanese design uses traditional ideas, modern elements and composition techniques, walking in the design of the design. This is not worthwhile to learn and learn from China.
