Shao Yanjun: 2004: Watching novels from the journal
To create a pulse for the literary creation of the year, the most correct way is made from journals. Although in recent years, under the strong pressures of the publishing industry, the "primary authority" of the journal is constantly being weakened - some famous writers' weight works bypass the journal, directly by the publishing house "grand launch", and commentary to a work The assessment of literary quality is often closely related to the "quality" of the "Seminar" hosted by the Press, but after all, the literary period is still largely reflected in the "original ecology" of literary creation, maintaining a certain degree of "diversity" At the same time, it is also a major base of literary newcomers. Of course, the literary journal is also an enclosed "Nature Reserve". Its erosion is not only external, but also inherently, the popularity of the public has been considerably, it has a considerable degree of evaluation standards. Whit, a writer, a writer's work, rose, the "header rate" and reproduced rate of its works are likely to rise, and the style of such works is also likely to potentially affect editing. Further, lead the creation of literary newcomers. However, due to the general pattern and basic system of literary journals, there are some more obvious referring to the conversion of market value to artistic value. In other words, when the "Good Sell Principle" is increasingly entered in the publishing field, he can hear some collision and struggle in the field of journals in the field of journals. ". It is these "noise", which presents "symptoms" that can be interpreted, allowing us to have a more comprehensive and in-depth grasp of literary status.
One
In 2004, the overall situation of literary creation is relatively stable, and there is a lot of places. After the first two years of large-scale "change face", most literary journals returned to the traditional pattern of "four major blocks" (novels, prose, poetry, comments), realist style works still occupied Mainstream. In many journals, the most stable "realistism" "contemporary" and "contemporary" and "people" dominated by realist style and strong power is dominated by "People's Literature".
"Contemporary" has always been "facing reality" as a purpose, this year's performance can be called aiming. Its achievements mainly perform in the current two major social complaints in China: three rural issues and state-owned enterprises reform issues, timely publishing works, such as "death of the farmers Liu Lanxiang" (short articles, No. 1), Song Jian Tao's "Money" (middle article, Issue 2), Cao Zheng Road "there (middle article, 5th), etc. The art of these novels is not exquisite, with the rush of "problem novels", but the problem of proposing is sharp, and is the soil of the "art of life". Among them, "there is the strongest from ideological or artistic," is called less realistism in recent years. The novel describes the chairman with a sense of intelligence, and strives to prevent enterprises from restructuring China's assets loss and failure, and finally suicide. The author adheres to the tradition of "Zuo Lang Literature", and writes a deep feelings. For a long time, our writers have already given up the responsibility of intellectuals. Cao Zhenglu is moving to people, re-evocating the readers to the writer.
Long articles are the "contemporary" focus, this year's total overall quality is also better. Sun Huifen's "Shangtang Book" (No. 3) although Xiao Hong, "Hulan River Bi" aura, but provides a panoramic picture of the changes; Xu Guixiang's military novel "Tomorrow's War" (3rd " Although the penalty is the old, but the "four big gold" characters are vivid; Jing Sheng's "our love" (Issue 6) is still lacking in a wide tetanity, but out of a side of a generation of youth spiritual growth Process, narrative calibration, winding with fun; Cheng Lin's "Police and Rogue" (Issue 1) has a number of popular novels, but the author empirically empirically, language humor, is a real "good novel". It is more disappointed that Dong Libe's "Mixiang" (5th), no matter how the story is still telling the story, there is no "new meaning", as the editor said, the author is "encounter bottleneck." It is a surprise that Wang Gang's "British" (Issue 4), although the author is "Party B", "the world without thieves" and other popular film and television dramas, the novel is very pure; this year " Contemporary "Worstead is Wang Haijing's" Chinese Divorce "(Issue 4), which is a typical film and television, especially in the same period of" England ", which is in contrast. Now more and more writers are engaged in the creation of film and television dramas, and the results have become "by-products", and they have become popular works of major journals. No one regulates that people who write novels cannot write scripts, but write scripts in writing scripts. The rules of writing novels will write novels, but they are a serious writer should have the basic principles of journals. The most prominent impression of "People's Literature" is the quality and stable, and there are two highlighted works per period, and there is not too bad work. This looks simple, it is not easy in the current literary environment, and you can see your editor's intentions in the manuscript. This year, "People's Literature" has also launched two components "three rural novels": Chen Yongsong's "Ma scared blood case" (middle article, Issue 3) and Wang Xiangfu "Find" (middle article, Phase 6). While two novels pay attention to the underlying suffering, they also pay more attention to the anatomy of human nature, and art is more tension than "maid". In addition to these major themes, some small stories in daily life are also written more abundant. For example, two middle articles launched in Section 7, No. 11: 畀 畀 的 畀 的 "and Qiao Ye's" Purple Rose Studial Building ", written" prostitute from the spirit "story, rare is not pursuit Punitown, simple, discovery of new characters, new experiences, is sensitive to sensitive. Fangfang's "Dynasty" (12 period) is another model of "small people" survival in recent years. The above two types of works have made the newspaper "attention to reality, the current survival of the people" have the performance of the hand. At the same time, the publication also focuses on the display of new forms. Lin Qi's "Don't go back" (short, Issue 10) and Han Jun's "Mountain Song Day" (short, Issue 10) showed their new progress in style, Xinrui Writer Xiaohang's "brother" "" 中 篇, 第 期 期) and "The Water Flower Flowers have become the past" (middle article, Issue 8) also showed a beautiful scenery of the imagination in contemporary creation. It is worth mentioning that this old and medium-sized writers have brought to the year, and "People's Literature" is their best work.
two
In fact, an excellent publication is not necessarily inconvenient, the key is whether it is clear and is familiar with. "Contemporary" and "People 's Literature" have excellent performance, and they have always had a strong realistic tradition, and the present is that realist creation is related to the absolute main tide. However, it is not a manuscript to enter the stream. The same always emphasizes "close to the reality", "October", "October", this year is not ideal. "October" has always reflected the middle of the people in the current hot life, but most of this year's colorful work is short, and concentrated in the "novel new trunk" column. The authors of important works are more new show, and the style is also more preferred to Yangchun Snow. Push newcomers are not bad, but Light is probably difficult to maintain this issue of "Sales Large Original Literature Temperature". How to get new, integrate new forces and traditional accumulation, is the most fascinating thing about "October" next year.
In many people's minds, "harvest" has always been "four famous names" (this title is usually referred to as "harvest", "contemporary", "October", "Hua Cheng", and some people have "people's literature" or "clock" The mountain "replaces the" Hua City "). However, if there is no support for the long-lost essay column, it is doubtful if you can rely on the novel. Although the novels of this year, although there is no lack of masterpieces, the tendency of commercialization is also more obvious. This is mainly manifested. There are 4 ministers this year (another "memory literature", "Memory Literature", "Borrowing I am" published in the 4th), only Alai's "Fighting" (Phase 5, the sector is just a big middle school) It can be counted as "pure literature", the rest of the three, Zhang Xin's "deep throat" (1st issue) and Zhou Messen's "I am Shoudo" (2nd, 3rd serialization) is no controversial " The film and television, "Color", "Color" (Issue 6), although I wrote "Shopping Family", but I read very like "Chinese Painting" "official novel". Honestly, see "Harvest" to publish these works related to "ratings" with a large number of page numbers. With the authority of "harvest", there must be a lot of new heart and blood, because they are "reluctant to love", if they can give them more support, continue to maintain the "Pioneer Novels" in the 1980s "Whether the wings of the eyes, is the publication of" China's contemporary literature simple history "?
Last year is the first complete year since the "Shanghai Literature" revision. The design of "Month Novel", "Creation", "Translation" and other columns (the famous journal from the history of modern literature "reflects the design of the editor's clear and powerful editor. In terms of novel, specially pushing short boutiques, "The" Month Novel "column of" The Fine Short Leading Text Tide "in everyone is the biggest point of view, which is extremely difficult to be very difficult in the long-legged trend environment. However, under the market "one manuscript is difficult to find", it is indeed a serious test in every month. The "Month Novel" of this year is generally good, but there are also a few "famous fame" too perfunctory. Perhaps the editor needs more faces to close the portal, otherwise, not only the style of the damage is the overall level, but also more famous "guest big bullying store".
The biggest results of "Zhongshan" this year is to seize the tourist beauty, and his two works "Valley" (long), "Mi-adjusted" (large and middle) in the third phase, the fourth period continuously Brought the most lack of the most lacked atmosphere in the literary world, it is spiritual. However, in addition, it seems that there is nothing to say too much. Compared with other works, these two works are very awkward. "Writers is full of publications" for writers, it may be a blessing, or for a large publication. The so-called "original, refused, travel" ("Zhongshan" has been put forward in 2002) must be the overall style of the publication, whether it is a first issue or a year of publications, if it is too relying on a writer, it is easy Passive "travel" with different "originality" of the writer. Since the mid-1990s, "Huacheng" is considered by many people to be the most purest magazine, and there is even one of the best works in the work circle and even "Hua City". However, last year, "Hua City" performance is disappointing. Status on the 6th, there is no masterpiece worth high. The publication seems to take the focus on the new "Flower City Departure" column. This is a column that pushes a newcomer, but it launches newcomer, except for the 6th Xianhang, not "70", "the" beauty writer ", is" 80 after "latest" teenager write hand " . Its work is full of boy, some can't bear to read, and some even openly, "Be a beautiful master is not bad" as the author interview title. This way, in the way, there is too strong kits, too few independence, is really not a big name.
"Everyone", "Mountain Blossom" and other magazines to explore the general feeling of the general feeling of people. Although there is always a good work in every two periods, it is too small for all, can't afford a journal. Moreover, the level of work in the first issue is uneven, and some are different. Therefore, from the overall level, it is a large number of journals than "contemporary" and "people's literature". Today, can the pioneer can be a valid banner? The so-called "Pioneer Writing", is it incorporated with too many "false writing"? These probably have problems that must be considered with a pioneer for a foothold. Once the pioneer becomes a fake front, the pioneer publication becomes a "circle publication", but not only these publications will be further marginalized, but the ecological balance of the overall in the literary world will further deteriorate.
At the beginning of this year, "October" and "Contemporary" have also launched a long version ("October, long novel", "The" Contemporary Novel Novels "will choose a long publishing in the near future, and it is a monthly magazine, it will be" harvest next year " "It will also be made by the method, coupled with the" writer magazine "," novel selection ", and the long-term publication of the garden has suddenly expanded that the context of the sector and the market will be more intense. For these "long version", how to choose a positioning is a problem. From the perspective of market competition, they have natural advantages with respect to books: the pricing of 12 yuan, basically equivalent to piracy prices of a novel, but can accommodate two or three novels, but also leave the postal route. Disadvantages are only not exquisite, the collection value is low, which will prompt to further tend to market. "Positioning" may be some of the original intentions of the founder, but the long version is the same published name, whether the positioning nature is clear? Especially in the current situation of the "Good Sell Principles", will a large number of long version of the appearance will not further exacerbate the serious market tendency of the original publication industry? This is a need for further observation next year.
three
This year, several heavyweight writers have launched a self-breaking or transformation of work through a severity or short, latent.
Han Shaogong's middle school "Mountain Songs" ("People's Literature" ("People's Literature", the "Daddy", the road to finding the roots and exploration, and continued the "Language" thinking history since the "Maxi Dictionary" . It is different from the previous form of extreme form that the author thinks about the two philosophical cultural levels, and implements a story of music that Mao Maozhong as the core. In the realities and legend of the characters, the integration and transcendence of modern novels is experimentally. Two short articles with French new novels issued in "Shanghai Literature" No. 9 "Is it? "" And "801 room", also tried to organically integrate the Western novel skills and China's local experience. This is the "new wave writer", including Han Shaoong, including Han Shaoong since the 80s, has never been able to solved problem. Although these works are not perfect, in the Pioneer Explore the "Trendering" today, we will continue to construct constructive experimental experiments with solid text. Lin Mr. Lin is unique in the contemporary literary world, and there is new changes in new work "Don't go back" ("People 's Literature". The "white" of Beijing dialect and Wenzhou dialect once is the language style of him. This novel has a little bit of astrince, and there are more words in some words. Reading this novel, we seem to see that writers have come out from his consistently pursuit of anciento, and linger in the scenery of Chinese classical notes novels. At the same time, the boldness of the words and white is also shown on the road of novel art exploration. This eighty-year-old old man is never tired "Pentium".
Fang Fang's "Going to Die" ("People's Literature" No. 12) writes a small person "Survival is not easy to seek death is also difficult". In the people of laid-off women's workers, the housewife He Hanqing, the people in Han Qing, are weaving the realistic embarrassment of the Yinjing (Chi Li "troubled life"), Fu Gui (Yu Hua "" alive ")" live "philosophy, Zhang Dabin (Liu Heng" poverty Zhang Da The happy life of the people ") of the music, this kind of man, which can make He Han Qing become the image spokesperson of the new generation of underlying small citizens. The use of a large number of Wuhan dialects not only presents the bottom life style of Wuhan, but also writes the trend of dialect writing in the in recent years. However, if this novel appears in the 80s, "new realistic novels", or from the other writers of the rest, maybe it will be happy. In the "new realist novel" writer, Fang Fang once made a position of the elite care, and it was able to distinguish between Chi Li from Wuhan female writer. However, in this novel, Fangfang has walked into life, close to the characters, completely obeyed from the realistic logic's posture, and wrote the survival of the people's homes in Wuhan small citizens. How to evaluate this transformation, I am afraid it still needs time.
You have always been taking advantage of Chi Li, who is criticized in criticism of "small citizens" stand, the only work "Tolstott's Scarf" (middle articles, "Harvest" in this year also has a promising change. The novel writes or "small citizens" life, but all the ordinary lively "small citizens" is all supporting role, the real protagonist is an ideal persistence - "old palery", he is breeching, but in the heart Always guarding the piety and love of literature. The "Tols Thai Scarf" wearing his neck, symbolizing the ideals and dignity of the depths of the despicies, and also gaining Chi Li novels to wait for a long time to wait for a long time. This kind of transcendence is not as "watching Mai Niang" (the 4th "Daiji Honghe Award" award-winning work), solid detail description makes the subject falls. It should be said that a group of "small citizens" completed a "old palery", a "old pale" and a group of "small citizens". However, the problem of the novel is still obvious. Mainly, the theme of the novel depends on the idealism of "old palery", but the shape of this person has idealism. Those direct-white "pool-style teaching" still makes people trouble, end Also compare. Therefore, although this is a rare transcendence, it is a more essential. The "scarf" can be more essential. In addition, Lin Bai has launched a long "women's idle chat" since the "Wan Laohua" last year ("October, long novel" 2004 Cold Volume), continuing to practice from "female private writing" personalization Folk writing "transformation. Li Rui has published a short series of farm-tare, "袴 袴", "debris,", "harvest", "Harvest", "", "Shanghai Literature" No. 12), from the most farmers and land The intimate farmer is imagined, and the anxiety of reality is written. Single article, the title is similar to the simple and simple, and it will be a whole, meaning and strength in the future.
However, in many famous writers of "first-line", there is a clear self-breaking consciousness and makes good performance. Some writers have constantly occupying the layout of important journals, but the work is basically repetitive on the same level. Other writers, the larger the famous, the works are even, even with the game of the game, and people have to worry about the inner air and literature prospects. four
Often seeing the journals will have such an experience, the work of the magazine is not necessarily a good work, the new work of the famous family is likely to be a force, "coloring" is often the work of the new writer in the rising period. This year, ink, ghosts, and Ai Wei have launched a serious work, of which, "The dusk" of the white, "," Mountain Flower "No. 4), Aiwei's" Water "(middle article, "Flower City" No. 1), "Father" (short article, "Mountain Flowers" No. 1) Art is more round, devil "New Year" (middle, "People's Literature" No. 9) Although trying The transformation is unable to succeed and become a "half of the masterpiece", and Ai Wei's "psychic" is also lost due to the steep power of the theme, but the writer challenges yourself and challenges the difficulty of challenge writing.
However, the literary scene has also appeared in the case of a new show. After winning the 2003 "Chinese Literature Media Grand Prize · The Most Potential Newcomer" ("Southern Metropolis Daily" has been rapidly popular in 2004, it is also rapidly entering "bottleneck". The two works in the beginning of the year are also very characteristic. Whether it is a "human story" ("Thai melon seeds, thin shells of the sea melon seeds", "Shanghai Literature" 3rd, short articles) or "Ghost Story" ("04:22, who played the phone", "People's Literature", the first, middle articles) have a clear spiritual. Since then, the works launched in two, such as "Sprinkler through the desire" ("Harvest" No. 4, "Miya Rain" ("People's Literature" No. 9, middle article), " The pigeon flying in the eyes of the eyes "(" October "No. 5, middle articles), although reported with" headlines ", there is no exception to repeat her specific narrative method: with a strange thing As a novel's growth point, the news report launched a story in the context of the qi, and finally closed with an Ou Henry. Although this is the characteristics of a melon, pure literature cannot be mass production, otherwise what is "the most potential"? The Sheng of the Newcomer Award (2002, the first session) can be taken before you have a melon. She published in the 12th issue of "Mountain Blossom", low, although there is no substantial sexual description, but it is full of silencers. Perhaps, this is the way the author distinguished from "70" "Body Writers"? However, in addition to the strong scent and rogue cavity, the work is not more maddably than "body writing". People can't think, this is just when the woods will come to the end of the "body writing" road, another "more brave". When the "Most Potential Newcomer Award", I had a "most potential newcomer": "Now, in addition to her own, there is no power to stop her from educating her new literature." This sentence reads today Have mean. "The Most Potential" has intended, and the performance of winners has "guided" for vast literary newcomers, and such "guiding" is really alert. Fives
This year, the most delightful thing is that a new writer with a solid and solid foundation, which contributes new qualitations in the excavation of new experiences, new style development and other aspects.
Xu Ruke's "Ah, Beijing" (middle article, "People's Literature" 4th) is closely incoming, deeply depicting the lives of "foreign people in Beijing". Recently, the creation of this type of theme has an upward trend. It is "domestic drift" sequence corresponding to overseas literature and other overseas literature in New York, and has a broader artistic prospect. This is this sequence of works. A rare masterpiece. The novel is in place for the "Beijing Pole" mentality, the young author did not describe the story with a "angry" style, but in infatuation, it is unfold, so that the characters and Qiuhua pointed the pen. The "Lasntie" opened the distance. Xu Rui will be very fierce this year. "Zhongshan" No. 5), "Tracter Manufacturer" (short, "Mountain Flower" No. 11) It is rare to be, on the basis of the overall exquisite, these works seem to be a special type of trimming, or language, or structures, or narrative, although the skills and experience of the author need to further penetrate. But this patient and meticulous comprehensive training is the basic work that is really "potential" writer. Xiaohang has brought rare "intellectual writing" style to contemporary literature with its smart and wise work. He launched 4 works in one breath: "When the fish is falling flowers," "" "" "" "" "" " "Send you a Phoenix Tree" (middle article, "Hua City" No. 6). "Cuttery Birds" (middle articles, "Everyone" No. 6), these works are extremely readable, imaginating abundance, fully reflecting the unique wonderful novel as "fiction text". The flexible way of thinking, surpassing the wisdom of time and space, allowing the reader to appreciate another important realm that is not visible to the crucial life, providing a rare new reading experience. As a businessman who is born, the author's mind has no "trend", "the" "", he is not as clear as a pioneer novel writer, but only writes in his own way, Tianma, self-contained Such a "foreign master" is rare in today. His novel has a scientific attitude of the engineering laboratory, like a product that is scientifically deployed, there is a core formula, then add something in the test tube, see what can be drawn. result. However, its novel is unique here, and danger is here. If the complex formula deduction process cannot be combined with a unique life experience, the novel has become a simple intelligence game. How to make the keys of the wisdom really open the lock of the complex soul, rather than vain, is the challenge for Xiaohang to continue writing.
In addition, Shenghui poetic language ("Summer is coming to Zhao Wei", short article, "Mountain Flower" No. 9; "The Moon in the Water Cylinder", Short Articles, "Everyone" Section 5), Han Xiaoyue Elegant Scroll (" Wonderful ", middle article," October "No. 6), the" Drawing Style "of the Tiger (" Kiki ", the middle," October 5th) is very refreshing. "Niki" (long, "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" " "Crushing Glass" (short article, "People's Literature" No. 2) deepened the exploration of humanity through the analysis of the power operation mode of education system; the "selling rice" of the Northern Early sent a female flying flower (short, "contemporary" The 6th issue, is really touching, showing valuable literary talents, but the authors are like the meteor, which is sorry. In fact, the writer who is injected into the contemporary literature is not necessarily a new writer, and some old workers have been working silently, but they have been in the edge of the literary world for various reasons. They may have bloomed that they will suddenly bloom. . The two most shocking works of this year came from the hands of two old writers. One is the "there" in the previous Cao Zheng Road, one is Yang Xianhui's chair series novel "Dingxi orphans."
In today's literary world, Yang Xianhui is not a very famous writer. But in the history of future literature, he is likely to be a writer who makes people feel proud or ashamed in the same time. In 2000, his "Clad Ditch Notepad" was serialized in "Shanghai Literature" and "Novel". This "Dingxi Orphan Course" in 2004 ("Shanghai Literature" 2004, serialization) not only brings vibration to the reader, and there is also a fire in the art. The two series of works written is "the suffering man", "sidewalk" is a batch of "right part of the" exile, "Dingxi Zone" is a "big ampine" in 1960 in Gansu Province. Heavy disaster-stricken area. Based on the facts of faithful history and the facts of the parties, the author creates a work with high typical and unique. It is exactly a white-drawn technique, documentary language, and a flat tone, and tear a scene of hunger and death of death in front of people. These stories of individuals with detail make the tragic disaster specifically and can be inscribed in our emotional memory, no longer easy to cover anyone with abstract numbers and words, forced to continue to live. People have to face, reflect. We often say that the power of literature is imaginary, but in front of this, you will feel that everything is lost. Over the years, the creation of realism is constantly narrow, rigid, and vulnerable, so that it is questioned by many people. Yang Xianhui's work once again showed people that contemporary writers continue to use the expressiveness and penetration of the realistic technique, as well as in a large number of shocking historical reality, has not been dynamically performed, even in the current environment of deliberately obscuring, this Inplaceability of the method of techniques.
Looking back at the end of the year, it is easy to think about the ordinary things. Although there are many excellent works in this year, if you look at the vision of literary history, there is no one is a mileage masterpiece, and there is no "big work" that can "pressure axis", it is lacking in art. It is enough to be a highly scented well-known masterpiece, and the height of "Dingxi Orphans' Chi Chi" is in recent years in recent years. Therefore, if the most valuable work this year, I will choose this two.
