(From http://blog.9cbs.net/zaowei21/archive/2004/12/25/229216.aspx) "The world without thieves" Rido's one sentence: "What is the most precious thing in the 21st century? Answer) Talents. "I think how to interpret this sentence will become the core of this film. * National conditions Need * Feng Xiaogang's work has always been a guarantee of the box office, the contemporary Chinese social city reflected by the movie content and theme and the people's spirit can seize the hearts of Chinese urban people. The "no sigh" of the mood, exploring the "mobile phone" of the communication between people and people, to the "mobile phone" of the marriage of China-style urban marriage, all of which showed the new batch of China's directors in the 1980s to get rid of the international The creation of the fifth-generation director, unloading the traditional Chinese culture and value, and the formalmetry baggage, starting from the city, the big premise for reform and opening up, re-seeing the current Chinese society Various problems. Therefore, Feng Xiaogang, Zhang Yuan, Ning Hao, Jia Zhangke's works have gained appreciation of domestic new generation intellectuals. Of course, it also involves the issue of national conditions and the spirit of the people. In the contemporary Chinese society that is greatly banned by information dissemination but still far from the 770s, the various urbanization sequelaes seen every day is no doubt that they are concerned about the new generation of growth in China's 1980s. Under the interaction between freedom and civil raw information transfer model, it also has made the reebrian traditional cultural value to discuss various issues related to life. Zhang Yimou and Chen Kaige turn to movie creation, which is also reflecting the trend of this city movie. At the same time, under the increasing situation of China's national strength, the rapid rise of national self-esteem has also emphasized the "traditional Chinese" "Traditional Chinese" movie turned into the thief of selling national cultural relics. At this time, Feng Xiaogang a series of urban movies should be born. Therefore, Feng Xiaogang's movie is a city, but also reflects the topics of contemporary Chinese urban people. * Collecting and inheritance * "There is no thief in the world" is a strainotilate, and Feng Xiaogang's irony is playing in the film, and it has reached a considerable height, and everything is born by irony. There is no thief in the Central Plains, that is, there are thieves everywhere; the 20th century is most important to talents, the reality of capitalism is just the opposite, emphasis on the system, organization and coloration. However, the people of the people raised here, but hidden a problem that is more thoughtful, what is the talent we need? What is their life and morality? What they should be served in capitalism and the worship of the goldenism? Or is it a Confucian who walks in the Communist Flag? At the same time, the film is also overcoming an extremely important premise, which we need talents and return to the next generation. Whether it is a selfish selfishness of the capitalist market economy, it is still a burden of the burden of the red flag to maintain the big idea. If everything I want to do, it has become a real concern for the next generation. The center of gravity. Li Shu (Geofu Decoction) is the inheritance and development of the thief group, whether the next generation can maintain the strength and carry forward of the group, becoming his most concerned. Wang Yan (Liu Dehua) and Wang Li (Liu Ruoying) This is the next generation of thieves, and the Xinhe is in order to make future children grow healthily. Although they have not talked about how to change it in the film. The environment of the world is the environment, or showing helplessness, but the changes in the two acts implied that it should be done as the Chinese who wants to make the next generation, how to do it. * Confucianism and thief * Li Shu and Wang are representing two distinct people, the former is a group / collective leader who strives to develop, and the latter is the lack of the horizontal thief.
