In the concept of modern art, music belongs to expression art, and literature belongs to language art. Between the two are different from contact. The former is more concerned about expressing people's emotions through a certain material medium, such as sound, musical instruments, etc., reflects the society; and the latter manifests and reflects the language means. As far as I personally believe that the expression art is a more invisible artistic door, so music is more implicit more in terms of literature more than literature. Of course, there are also techniques such as borrowing, metaphor, irony, because they don't involve the subject, and it is not detailed here. Emotical art and language art often contact is very tight, mainly talking about some rock music and literature. In Chinese rock music, I have always believed that Xu Wei is a heterogeneous in use literary concept. We know, Tang Dynasty has "dream back to Tang Dynasty", overloaded "Chen Sheng Wu Guang" "ancestor's shadow" "Three Kingdoms & # 183; Four", "Mirror Flower Edge" ... More than half of the Chinese mainstream rockle player, most of the literary concepts involved in Chinese ancient Chinese or prosperous or turbulent or tranquil or sorrowful literature Works or historical images, their deep implications or the inner feelings and uneasiness of the dissatisfaction with existing life or want to return to the turbulent age, or is the nostalgic thinking of the Chinese. Xu Wei's music is not the same as most Chinese rock musicians. Xu Wei's work seems to have few awareness of Chinese traditional literature. Although there is no shortage of nostalgic colors, but he passes another may be his own expression or even language forms. Because I only "in other things" and "Time & # 183; Walk", there are less "that year", so I can only select the five songs below, and be a rough analysis: "Don't work": Look at the literary works, he is Milan & # 183; Kundra borrows a modern psychological novel made by Laolbo's poems, the author has shaped a lively image of a growing young poet with unique strokes. She is filled with her life. Passion and a short life, showing a growth of poet art. Kundera expressed his doubts about human passion through novels and the exploration of modern ignorance. At the beginning of this song of Xu Wei, our hearing makes us feel that this song has a feeling. Suddenly, "Just in the moment I entered, I really want to die in your arms, I see my other body, floating toward the far place", ambiguous two concepts, slightly magical realism language expression Instead, people have begun to deeply skeerate skeptics of the real world to human spirit. The back "Love is always not open, the desire is like the wild grass, and they are like flies." There is always a angry, there is a lot of young people, there is a lot of young people. Thinking and emotions, difficult to suppress, can't suppress. On the virtue of Kundera, he is in China's popularity seems to be due to Wang Xiaobo, and in the early 1990s, due to the limitations of translation and books, the reading of Kundera works It belongs to the small population of the group, and Xu Wei's "in other" was published in 1996, thereby still reflecting Xu Wei as a pioneer characteristic of a rock youth. "Bluebird II": Xu Wei wrote two "Blue Birds", I am more familiar or second. As a literary work, "Bluebird" is a good time. Because of children's literature, I read the famous Belgian opera Metlin in the 78-year-old child. s story. The story is mainly used to use symbolic techniques to tell the children of two logging workers, representing the process of finding broccoli, and bluebird is a symbol of happiness. The overall structure of the story is a six-curtain drama echoed, and is the middle confusion and the end of the end of the moonlight, such as water and wind, and the child is sleeping quiet. Look at Xu Wei's "Bluebird II", what he uses seems to be this structure.
Starting "This autumn afternoon is bright sunlight", the end is also "autumn sunlight". Creating a warm atmosphere of an orange tanyu. And the middle is also a turbulent: fantasy flying, sad growth, singing floating ... The slight difference between the two is mainly, Metlin's "Blue Bird" is finally looking for a sense of happiness, but Xu Wei's "It still shines on my distant endless sadness." It can therefore be said that the whole song shows that youth Xu Wei is a state in which the future of the future and dreams is unhaneous. "The end of the road": "The end of the road" The first lyrics "I am still on the road tonight", because I think, this song is obviously and Jack & # 183; Kairuk's autobiological representative " On the road, "there is difficult to cut off. The novel mainly tells the owner, in order to pursue personality, with Di'an, Mariel, etc., take a car along the bus along the way, cross the US mainland, and finally arrived in Mexico, all the way to drink, canned, play the woman, play women , Tall the eavects of the Oriental Zen. If you walk tired, you will shut down the car, and the nightdown village, wandering from New York to San Francisco, and finally made birds. "If there is a wind, there is no direction, if there is a dream, entanglement. We are a generation of time abandoned, in the past and the vortex in the future, the rising rising in the future, the rising, the passion, the burning is youth. After the fire, the embers after the fire It is this "on the road". "Xu Wei's songs also used the" no direction "," empty shovel "," floating "," full of desires ", etc. Due to the "road", the "road" is tired of life, and the future of the future, the way to the front road, and think about another variable life. "At the end of this road, it will not be another world, all of my fantasies, no longer far." "Swan Tour": The European and American literary works involved in the "Swan Tour" should be Selma & # 183; Laglolli's "Neils Riding Sopement". This is another famous children's literature, because it reflects Xu Wei as a rock artist's heart, crystal clear and virginity. The story is mainly described: Neilles does not love reading, naughty and trick, so catching small animals. A first spring, because of the teasing a small elf, he was turned into a small man with a thumb, and then was taken high by a hometown of the goose, "flew this group of mountains, flew the white cloud sea, flew there Some adventure experiences of Wan Ma Pentium's Green Wilderness. The story mainly adopts the effects of purifying the readers through those experiences, making the readers' minds more pure and more kind, and more sympathetic. And Xu Wei leaps from 1996 to 2003, we can't see that he gradually became sunlight by gloomy adjustment, which means that we can feel some cheerful and warm things from the auditory level of the surface. At most people, it is a transformation from darkness, sadness, despair, loneliness, sunshine, splendid, hope, joy. In fact, I think that Xu Wei's song never lacks hope, just 7 years of encouragement make it more mature and more open. If he would rather choose some cool tuning to express hope for 7 years ago, he was more directly, he chose to express hope with you liked to express your hope. He is unable to take care of everything that is expected to live in life. This is good. So "I will not stop in my life, forever to the spring", so "Welcome to the sunset of the sky, let us dance together in the wind", so "Through this midnight star, let us travel more exciting." "Blue Lotus": A lot of people who have born in the 1970s will miss El hot Tintin, I am in the 1980s, so I am not winning. I only know that "Blue Lotus" is the most important part of El fever, and is also one of the most important "Ding Ding Events", and involves China to resist Japanese aggression. . Xu Wei wrote "Blue Lotus" undoubtedly its nostalgic qualities and characteristics of virginity.
