I just started to read a few episodes, I have a little experience, I'm having to record it.
Some women hoped to marry a self-motivated man, have a strong ability to resist risks (that is, good economic strength); or as a wife, I hope that my man can compete, so that life is improved. Lin Xiaofeng in the play is such a wife. Similarly, her neighbor Xiao Li (a single woman who is married) is also like this. But the two are very different. Lin Xiaofeng does not satisfy the current life, and I hope that the husband as a doctor can give up the work of the State Hospital and go to the joint venture capital to earn big money. Xiao Li understood Lin Xiaofeng, because she used to think that the man should do this. However, she is coming over, she has experienced the pain abandoned by a man uploaded. She understands that the upward man will be liked by more women, will be more fragrant (of course, there is no one to sink a boat). Therefore, these two women represent two development phases.
Is this not a paradox? For this type of woman, the pursuit of career is a man, hoping to find a sense of security from him. And this sense of security is almost eager for all women. Then, from the man itself, he can be very fragrant, you can "Clinton". Of course, the final result is that all women will be hurt. The damage that harm itself is from this desire from the woman, this hope.
So, still the old saying, contentment is always happy ~
Song Jianping (Chen Daoming) said to his wife Lin Xiaofeng, "Men's most taboo woman can't look at men." Men are very faceless. I don't want to comment on this. Then, when Lin Xiaofeng wanted to say that the woman said the woman is the most taboo, I suddenly remembered that I didn't pick up my son, so this sentence has not yet been said. I haven't seen the entire film yet, but it is estimated that it will be said. Because I think two of them will eventually divorce.
Not? Otherwise, it will not call Chinese-style divorce. Waiting and see ...
